Metascore
73

Generally favorable reviews - based on 18 Critic Reviews

Critic score distribution:
  1. Positive: 14 out of 18
  2. Negative: 0 out of 18
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  1. Mojo
    Dec 17, 2018
    60
    Certainly, the music here is very often brilliant. ... .Paak's tendency for juvenile and preening bad-boy bluster is a recurring weakness. [Feb 2019, p.84]
  2. 60
    Oxnard isn’t quite the epic final chapter .Paak clearly craved for his trilogy--it certainly fails to compare to his 2016 breakthrough masterpiece Malibu--but you have to wonder if he really cares that much. On so many of these tracks he sounds restless, like he’s already thinking about moving on to bigger and better things.
  3. Nov 19, 2018
    60
    There are plenty of moments where Oxnard clicks, like the chugging, bum-rush rhythm “Who R U?” ... Still, there are missed opportunities.
  4. Nov 16, 2018
    60
    This meeting of joy and aggression is what defines Oxnard, and the effect is not always pleasant--it makes .Paak’s trademark grooves difficult to luxuriate in--but it is still a compelling mode, and one that rehomes his old-school tastes firmly in the present.
User Score
7.9

Generally favorable reviews- based on 113 Ratings

User score distribution:
  1. Positive: 98 out of 113
  2. Negative: 5 out of 113
  1. Nov 16, 2018
    10
    Wow! I’s so impressed by the funky, groovy, smooth sound Oxnard has! Fantastic 9,5/10 from 10
  2. Nov 17, 2018
    10
    The album definitely takes a lot more sonic and stylistic risks compared to Malibu, yet stays true to motifs that helped us fall in love withThe album definitely takes a lot more sonic and stylistic risks compared to Malibu, yet stays true to motifs that helped us fall in love with Paak in the first place. The result is a dynamic ride filled with twist and turns through the entire experience. Full Review »
  3. Nov 17, 2018
    7
    It's not anywhere near the level of Malibu, but it's a solid listen with some catchy songs.