• Record Label: Atlantic
  • Release Date: Apr 9, 2013
User Score
8.6

Universal acclaim- based on 498 Ratings

User score distribution:
  1. Negative: 28 out of 498
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  1. Apr 9, 2013
    8
    I've never been the biggest Paramore fan but have always been a huge fan of their singles but the albums never really appealed to me. Whilst too long this album delivers a number of triumphant tracks and should be listened to anybody with even the slightest interest in hooky guitar tracks and even those up for some variety as Paramore expand their horizons on this release. Shame it's soI've never been the biggest Paramore fan but have always been a huge fan of their singles but the albums never really appealed to me. Whilst too long this album delivers a number of triumphant tracks and should be listened to anybody with even the slightest interest in hooky guitar tracks and even those up for some variety as Paramore expand their horizons on this release. Shame it's so long, it could easily do with being 3 or 4 songs shorter. Expand
  2. Apr 10, 2013
    10
    I think this album is outstanding Every band and artist changes. They music style isn't going to stay the same because of time change The stuff that they previously write was emo and punk. That stuff is hard to write. I love the new power pop, indie rock sound to their music. She still a good song writers I am not disappointed at all. I never been a huge fan of paramore. Halley musicI think this album is outstanding Every band and artist changes. They music style isn't going to stay the same because of time change The stuff that they previously write was emo and punk. That stuff is hard to write. I love the new power pop, indie rock sound to their music. She still a good song writers I am not disappointed at all. I never been a huge fan of paramore. Halley music and songs not going to sound the same because she's older and she doesn't think like she did two years ago anymore. She's not a teenager anymore. She's 24 years old and I knew that she wouldn't write the same type of songs for this album. I'm about the same age of Haley (one year younger) and three years ago I used to write emo songs and poems but in three years a lot can change. I think everybody how expect the old music should give this album a chance. It's not about you. Most of thier fans how grew up with them and about the same age might understand, but if became a paramore fan over the last five years then you might end up hating this album. I think they should cont. making indie rock music They might change back into that emo pink, depending on what happening in her life. Expand
  3. Apr 11, 2013
    10
    Overall, its hard to say anything cumulatively negative about the album. Its not perfect no, but its pretty darn close. The lows here would be a highlight on most albums any day of the week. Paramore has shown tremendous growth with each album, from kids on Falling, to teens on Riot!, to young adults on Brand New Eyes, and finally to adults on Paramore. Its amazing to see that from goodOverall, its hard to say anything cumulatively negative about the album. Its not perfect no, but its pretty darn close. The lows here would be a highlight on most albums any day of the week. Paramore has shown tremendous growth with each album, from kids on Falling, to teens on Riot!, to young adults on Brand New Eyes, and finally to adults on Paramore. Its amazing to see that from good albums, they make great ones. Buy this album, and the rest of their discography. The next one will be perfect, I can almost guarantee it. Expand
  4. May 28, 2013
    9
    Paramore without the Farro brothers to many, is not Paramore. But this self-titled effort is so good, that you forget they were even in the band. This is definitely their best album. Experimenting with new wave, indietronica synths, power pop sounds, ukuleles, alternative country music, and soul singing styles and gospel choirs, Paramore seems like a self-discovery effort. They truly showParamore without the Farro brothers to many, is not Paramore. But this self-titled effort is so good, that you forget they were even in the band. This is definitely their best album. Experimenting with new wave, indietronica synths, power pop sounds, ukuleles, alternative country music, and soul singing styles and gospel choirs, Paramore seems like a self-discovery effort. They truly show how much they've grown and how much the Farro's departure has affected them, but that they've moved on and it's all fine. Starting with Fast In My Car, a rebellious, anxious piece of punky power pop with a fun use of new wave sounds, it's one of the most adventerous tracks. Now has a much more alternative rock, almost hardcore feel with some of te best vocals by Hayley Williams, a spunky, soulful singer with an amazing voice, which shows extensive range. Grow Up is a track with a Caribbean beat and some No Doubt inspired ska rock rhythms and drums, all topped with some new wave, indietronic synths. Perhaps, the most adventurous track is Ain't It Fun, the obvious highlight of the album. That soul in Hayley's voice, the funk rock feel, the sarcasm in its lyrics, the larger-than-life gospel choir, all of that makes Ain't It Fun an instant classic. Part II is another noteworthy track which has great lyrics and resembles some of the band's previous work. Daydreaming is an amazing song that could have also been used for an album opener with its dream pop sound and alt-rock surroundings. Still Into You, another obvious highlight, is Paramore's most blatant, straightforward pop song of their career. Hayley's voice is demanding and effective. She truly makes you feel like she really is into you. On Proof, Hayley sounds tough and like all the proof she really does need is her squeeze. On Hate To See Your Heart Break, a country-esque ballad, Hayley is sweet and vulnerable. (One Of Those) Crazy Girls is a track recalling the most recent alternative country stylings of Best Coast, channeling Taylor Swift for lovelorn, crazy-in-love lyrics. It's an impressive feat. Anklebiters is a track that poses as a marriage of Paramore's older punk sound and their newer, power pop arrangements. A fan favorite, for sure. The interludes offer some diversity to the already vast sounds on Paramore, with the simple use of a ukulele and Hayley's crooning vocal. In all, Paramore is a success story. An album heavily inspired by the departure of the Farros, but also an album of self-discovery and experimentation. Fans looking for the classic Paramore sound will be disappointed, but the open-minded ones who welcome new sounds and don't throw fits at every little sound out of the Paramore norm are the ones who count. Paramore is one of the best albums of the year and a monster achievement for the band.
    HIGHLIGHTS: Ain't It Fun, Still Into You, Grow Up, Daydreaming, Fast In My Car, (One Of Those) Crazy Girls, Part II, Proof
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  5. Apr 10, 2013
    10
    Some of the criticism fans have been laying against this album is just ridiculous. If anything, Paramore has blossomed musically with this album, which is easily their best. The sound is so diverse, there's more than just guitars and electronica: there's ukeleles, string sections, harmonicas and even a gospel choir. If that's not ambition I don't know what is. Maybe it's their lyrics,Some of the criticism fans have been laying against this album is just ridiculous. If anything, Paramore has blossomed musically with this album, which is easily their best. The sound is so diverse, there's more than just guitars and electronica: there's ukeleles, string sections, harmonicas and even a gospel choir. If that's not ambition I don't know what is. Maybe it's their lyrics, there's many songs that reflect on their troubles with Farros but they're also declaring that they're moving on and willing to try new things. Highlights include Part II, Still into You, Ain't It Fun and Future. After all the drama Paramore's faced over the last three years, they've come out the other side as a multi-dimensional band who's willing to push their own limits, marking their greatest artistic statement. Expand
  6. Jun 9, 2013
    7
    Following the departure of the Farro brothers in late 2010, the rest of Paramore (lead singer Hayley Williams, guitarist Taylor York, and bassist Jeremy Davis) decided to continue the band. But would they retain their signature pop-punk style, given that the departed Farros (guitarist Josh Farro and drummer Zach Farro) had cofounded the band and helped define its sound? The Singles Club inFollowing the departure of the Farro brothers in late 2010, the rest of Paramore (lead singer Hayley Williams, guitarist Taylor York, and bassist Jeremy Davis) decided to continue the band. But would they retain their signature pop-punk style, given that the departed Farros (guitarist Josh Farro and drummer Zach Farro) had cofounded the band and helped define its sound? The Singles Club in 2011 indicated that they possibly would. However, their fourth studio album, the self-titled Paramore, displays a progression in the band's sound. It's a change that, while not perfect, is refreshing and diverse.

    A few songs, such as "Part II" and "Last Hope," are reminiscent of the band's older songs the former could easily have fit on All We Know Is Falling. The rest of the album is different, with new wave and electronic sounds incorporated into the songs. Lead single "Now" is more of a punk-driven track, and would be great if Williams' vocals on it didn't sound like a bad imitation of Gwen Stefani. "Still Into You," the follow-up single, is more of a pop rock song, but it's still a fun, enjoyable track. Other standouts include "Ain't It Fun," which features funk influences and a gospel choir; the aforementioned "Part II" and "Last Hope;" the Riot!-esque "Proof," and the closing track "Future." There are also a few short interlude tracks that I felt were unnecessary and out of place. The drum work on the album is pretty good, thanks to Ilan Rubin (of Nine Inch Nails and Angels & Airwaves fame) filling in behind the kit.

    Overall, the album is a solid work, albeit a little disjointed and sometimes too poppy. It reminded me of Blink-182's self-titled album, which also featured a progression in the band's sound and greater musical diversity. For better or worse, Paramore are moving on.
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  7. Dec 10, 2013
    10
    Realistically I would only give this album an 8 but there have been too many people giving it ridiculously low scores.I never much cared for Paramore in the past and really only listened to this because they were playing a festival.There's a lot of good stuff on this album,some stand out cuts and because it's 64 minutes long a little filler but overall a totally solid effort.I like theirRealistically I would only give this album an 8 but there have been too many people giving it ridiculously low scores.I never much cared for Paramore in the past and really only listened to this because they were playing a festival.There's a lot of good stuff on this album,some stand out cuts and because it's 64 minutes long a little filler but overall a totally solid effort.I like their experimentation,the fact that the songs are diverse,I also like the fact than when it's time to rock hard, rock hard they do.
    I believe the professional critical response is correct.For the most part they are not weighing in on what Paramore should sound like but what Paramore has become.If one wishes they had remade their previous albums, get over it, they've left the past behind.
    As for the Farro brothers, if they were the prime movers behind Paramore, what are they doing now? They haven't released anything, there is no talk of them releasing anything.I, for one, am very curious if they will ever release anything and if it will be worth releasing.If they're the geniuses, now that they've shucked Hayley,Jeremy and Taylor (those no talent anchors, weighing them down) whatever they release should be a masterwork, right? Maybe We'll find out maybe We won't.
    And as mentioned earlier I saw Paramore at the festival and then I saw them 2 more times after that, still not crazy about the old stuff but the new songs were killer live particularly "Ain't It Fun"( the show stopper in My opinion), "Part II" and "Fast In My Car"
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  8. Apr 12, 2013
    10
    This is is their best release to date, in my opinion. It shows maturity, growth, and more feeling. Paramore is hear to stay, folks. It shows that they can do it without the Farros. It showcases Hayley's songwriting skills. It's a great album, worth picking up at the store or for downloading.
  9. Apr 11, 2013
    8
    Paramore has found a new sincere fan now. I gave this album a serious listen (I've heard all of their previous songs) and this record is just pure awesomeness. They have evolved, they have adapted a new style and a rather new sound which doesn't disappoint you at all because it has all the elements of their previous style. The best thing about this album is that some of the songs areParamore has found a new sincere fan now. I gave this album a serious listen (I've heard all of their previous songs) and this record is just pure awesomeness. They have evolved, they have adapted a new style and a rather new sound which doesn't disappoint you at all because it has all the elements of their previous style. The best thing about this album is that some of the songs are really catchy and the band has focused on both lyrics and music which is rare these days. Hayley's ever mesmerizing and powerful vocals are too brilliant in this one and she sounds sweet at the same time. I was worrying whether they would be able to make good music after the departure of Josh and Zac Farro but they have proved that Paramore, as a band, would remain as much cool as it always was. Expand
  10. May 4, 2013
    9
    This is easily one of the more talked about & one of the most polarizing albums of 2013 so far, and not without good reason. Between 2/5 band members leaving, this being their first album in 4 years & more importantly showing a significant change in sound, division among fan reception would be inevitable. Fortunately what we’ve gotten is their most ambitious, mature & diverse album toThis is easily one of the more talked about & one of the most polarizing albums of 2013 so far, and not without good reason. Between 2/5 band members leaving, this being their first album in 4 years & more importantly showing a significant change in sound, division among fan reception would be inevitable. Fortunately what we’ve gotten is their most ambitious, mature & diverse album to date, and in my opinion their best, even above Riot!. At 17 tracks and 63 minutes long (19 tracks & 70 minutes if you include the bonus tracks) it’s quite easy to make an album of such length feel bogged down or redundant. But Paramore manages to engage the listener throughout the whole length, mainly because of the aforementioned diversity. The band zig-zags from one sound or style or feeling to another between tracks in a way that makes every track notable to some degree, and there’s no sign of filler to be found. One interesting recurring element here is a trio of interludes that appear at different points throughout. Basically they’re 1-minute pseudo-lo-fi acoustic songs that couldn’t have been stretched to a more “full” length. This was a good move, as restricting them to the standard pop structure might’ve bogged them down a bit. Unquestionably the most controversial song here is the most recent single “Still into You”, which people are accusing of being too poppy, and even the ever-overused term “sellout” has been thrown around. And to those claiming this is “meant for the Katy Perry crap tween girl audience” or whatever I have to ask... are you listening to these lyrics? They very clearly detail a long-term & mature relationship. Not exactly “Hey I just met you & this is crazy”. Heck, if anything this is a song for old people. But with that defensiveness out of the way, this is a great song. It’s an unabashedly bubblegummy power-pop tune with a nice guitar riff, infectious melodies & the aforementioned sweet & sincere message. This album in general seems to center lyrically on moving forward, looking to the future rather than hanging onto the past (like certain “fans” should do...), and being happy in your current situation. They’re not exactly angsty teenagers anymore. And they even at times come off very self-aware of how alienating these changes can be to a closed-minded fanbase, especially in tracks like “Grow Up”, “Anklebiters” & “Future”, where in the former the general message is summed up in the titular line “Some up of have to grow up sometimes If I have to I’m gonna leave you behind” as well as pretty much every line in the first verse. It displays the honest frustration an evolving musician experiences when people whine about them not being exactly the same as they were 7 years ago. But at the same time they manage to appreciate the past at times, like in “Part II” which is a pretty clear sequel to “Let the Flames Begin” from Riot!, and in my opinion surpasses it in quality. The 8-minute monster of a closing track (on the standard edition) Future is easily my favorite track here. The first couple minutes are fairly simple & intimate, comprising of an acoustic guitar, harmonica & Hayley singing about the titular & aforementioned themes of not living in the past. But then slowly but surely it builds into the last 5 minutes, a fantastic instrumental that rides a slow & heavy (for Paramore) groove driven by pounding drums, deep basslines & huge wailing guitar leads. As for other notable tracks, there’s the soft & sensitive ballad “Hate to See Your Heart Break”, the goofy & kinda funny “(One of Those) Crazy Girls”, the keyboard & gospel-tinged “Ain’t It Fun” & those looking for “classic” Paramore can find that in bonus tracks “Native Tongue” & “Escape Route”, which the band said they purposefully left off because it didn’t fit with the stylistic growth of the rest of the album. Overall I was pretty much blown away by this album. It’s a fantastic comeback that shows the band at their most creative & uncompromising.

    Top 5 tracks: Future, Still into You, Grow Up, Ain’t It Fun, Now
    Score: 94/100
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  11. Apr 15, 2013
    10
    Paramore are reborn.

    This album is amazing. Some of it quite different to stuff they've done before, some stuff feels quite familiar. It took me a while to get into the album, but now I have I love almost every song. I love the electronic influences. Hayley has done a great job adapting to the new line up and there are some great lyrics on the album. It's a bittersweet goodbye to the
    Paramore are reborn.

    This album is amazing. Some of it quite different to stuff they've done before, some stuff feels quite familiar. It took me a while to get into the album, but now I have I love almost every song. I love the electronic influences. Hayley has done a great job adapting to the new line up and there are some great lyrics on the album. It's a bittersweet goodbye to the old Paramore, but this album makes me excited for their future.
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  12. Apr 9, 2013
    10
    Great Album. Waiting for a long time for their new songs. And finally, they delivered best music of their life. And have they changed? They tried to show the variety in their music with this album and we can hope that they know what works for them and make similar music in future albums. My favorite track from the album is 'Still Into You'. Hayley's vocal prowess is a show-off in thatGreat Album. Waiting for a long time for their new songs. And finally, they delivered best music of their life. And have they changed? They tried to show the variety in their music with this album and we can hope that they know what works for them and make similar music in future albums. My favorite track from the album is 'Still Into You'. Hayley's vocal prowess is a show-off in that track and the music is quite catchy too. Expand
  13. Apr 9, 2013
    10
    I have been waiting so long for this album and boy an i not disappointing. Paramore is back and better then ever. My standout tracks are: Still Into You, Part II and Future.
  14. Apr 13, 2013
    10
    Paramore is back with new stuff after 4 years without coming out of the box, but many "FANS" are complaining about the new sound, so here's a little message for them: you are not the same person from the day you were born until now. you've changed, you've grown. and so did paramore. if you can't handle it, sorry, but that's how things are. they're better then ever, and let's face it, youParamore is back with new stuff after 4 years without coming out of the box, but many "FANS" are complaining about the new sound, so here's a little message for them: you are not the same person from the day you were born until now. you've changed, you've grown. and so did paramore. if you can't handle it, sorry, but that's how things are. they're better then ever, and let's face it, you wouldn't be satisfied even if they've made a spin-off of riot!. you guys are ridiculous. Expand
  15. Oct 20, 2013
    10
    an album with much variety that not only please the fans like me but it also infect people who have not heard the 16 songs strong and innovative.......
  16. May 13, 2013
    9
    It really surprised me with this album. When i hear "Now" notice a big change in the sound of them. I honestly never thought I would give the criticism "Universal acclaim" but it was the opposite, so I encourage you to hear this new work. The band has been reduced to three members, but Paramore has shown in this work that do not need a large group to show the world that, despite their badIt really surprised me with this album. When i hear "Now" notice a big change in the sound of them. I honestly never thought I would give the criticism "Universal acclaim" but it was the opposite, so I encourage you to hear this new work. The band has been reduced to three members, but Paramore has shown in this work that do not need a large group to show the world that, despite their bad times, they know how to get ahead.
    If you are a true fan of Paramore, obviously I love this job, but if you liked the old style of Paramore, then you will not find this work very good. But, so what? This is a new beginning that leads to a new look and, most importantly, a new sound, really knew innovate.

    As a new feature we highlight three interludes, all with the same indie-country sound we had never heard Paramore. In fact, it is a very popular type of music in Tennessee, the place where they come from.

    With this album, the Paramore are ready to begin a new chapter in their lives, which is why I consider a good job, not all age groups are willing to take these risks getting, well, good reception.
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  17. Apr 23, 2013
    10
    I've been waiting for this album for awhile now, and I'm pretty damn happy. They gave us a bit of the old paramore, some tracks mixed with synth beats, and a bit of folk; I found this to be a very diverse and enjoyable album.
  18. May 11, 2013
    7
    Ya know, i really like Paramore, but this is not their best work. Its good, but not thier best. Also, sorry Paramore i think Tonight Alive is my new favorite Female Vocal band. Jenna McDougal
  19. Jul 21, 2014
    9
    Na minha opinião melhor álbum do Paramore, com músicas geniais, batida perfeitas, tudo pra ser um CD icônico, eles melhoraram muito ao longo do tempo, até chegar a esse som maduro e muito bom.
  20. Apr 9, 2013
    10
    This album is absolutely PERFECT. One of the best releases of 2013. Paramore is changing from now till then, but what matters the most is that they're still very good. Like VERY VERY good. And this album is no different than their previous critical success. The album kicks off the with awesome intense Fast in my car, the comes the addicting lead single "NOW", Then "Grow Up" andThis album is absolutely PERFECT. One of the best releases of 2013. Paramore is changing from now till then, but what matters the most is that they're still very good. Like VERY VERY good. And this album is no different than their previous critical success. The album kicks off the with awesome intense Fast in my car, the comes the addicting lead single "NOW", Then "Grow Up" and "Daydreaming" which are very impressive. The one I like the most is Moving On, the interlude. All the other songs are very well-done and organized, like "Hate To See Your Heartbreak", "STILL INTO YOU" (which is my favorite on the record), "Ain't It Fun", "ANKLEBITERS", and "PART II". And Hayley's vocals shine through the whole deal!
    Even if you're not a Paramore fan, Go out and buy this. It's worth the time and the money. 10/10. GO PARAMORE!
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  21. Apr 9, 2013
    10
    I've been a huge fan of Paramore since day one, and this album was far from disappointing. In fact, it was inspiring. I was inspired by the growth that the band has demonstrated. This album is better than All We Know Is Falling, RIOT!, and brand new eyes. Basically, this album proves that Paramore is better off without the Farro Brothers.

    Admittedly, the opening song is mediocre
    I've been a huge fan of Paramore since day one, and this album was far from disappointing. In fact, it was inspiring. I was inspired by the growth that the band has demonstrated. This album is better than All We Know Is Falling, RIOT!, and brand new eyes. Basically, this album proves that Paramore is better off without the Farro Brothers.

    Admittedly, the opening song is mediocre compared to the rest of the album. Fast In My Car. HOWEVER, the rest of the tracks make up for it. If I had to make one change, I would make Now the opener instead and put Fast In My Car later on.

    High Points: Grow Up, Ain't it Fun, Part II, Proof.
    Low Points: Fast In My Car (only lyrically).

    Not all Paramore fans will like this album, which is fine. They just didn't come in with an open mind.
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  22. Apr 9, 2013
    8
    In this case, “new” can mean a lot of different things.

    In the almost eight years since Paramore released their debut LP, All We Know Is Falling, their sound has been described as emo, pop-punk, rock, post-grunge, alternative, and something called “emo metal”, according to Rolling Stone. After streaming their self-titled fourth album over the course of four nights this week, I have
    In this case, “new” can mean a lot of different things.

    In the almost eight years since Paramore released their debut LP, All We Know Is Falling, their sound has been described as emo, pop-punk, rock, post-grunge, alternative, and something called “emo metal”, according to Rolling Stone.

    After streaming their self-titled fourth album over the course of four nights this week, I have tossed out all of those labels, because these three have managed to redefine who they are and what Paramore’s music is all about with one hell of an album.

    Anyone who is likely to read this doesn’t need a history lesson about what Hayley Williams, Taylor York, and Jeremy Davis have been through over the course of the last 4 or 5 years. Their third album, the incredible brand new eyes, was essentially an autobiographical tale of the band’s personal struggles with one another. While it concluded with a sense of hope (see “Looking Up” and “Where the Lines Overlap”), the band as it was constituted was fractured and could not move forward as a cohesive unit. When the dust settled, Hayley, Jeremy, and Taylor picked up the pieces and moved on.

    When the threesome surfaced from the studio in late 2011 with four reflective songs that would eventually become their Singles Club, they declared their intention to put the past behind them and focus on the future of Paramore. The band remained open and honest with their fans, keeping us updated and taking us along for the ride as they set out to create their fourth album. They seemed reenergized and, above all else, happy. Guided by producer Justin Meldal-Johnsen, Paramore entered an LA studio last summer determined to make the album they’ve always wanted to make. What they emerged with is their most ambitious, best-sounding, and universally satisfying body of work to date.

    To try to describe Paramore as any one specific sound would be an exercise in futility. It samples from practically every genre of music under the sun, and features an incredibly diverse collection of instrumentation. The powerhouse lead single “Now” is traditional Paramore, as is the intense rockers “Be Alone” and “Part II” (as in, the sequel to 2007’s “Let the Flames Begin”). “Last Hope” and “Daydreaming” find the band paying homage to 90’s alterative acts with subtle verses and big crescendos. Did you know that before they joined Paramore, Hayley and Jeremy were in a funk band? Listen to “Ain’t It Fun,” the sure-hit groover that finds Jeremy and Hayley channeling Bootsy Collins and Mariah Carey, respectively, and you’ll understand.

    Paramore is definitely much more of a pop album than some (less open-minded) fans may care for. But even these “pop” songs (“Fast In My Car,” “Still Into You,” “Grow Up,” and the aforementioned “Ain’t It Fun”) are too well-crafted and, frankly, too substantive to be lumped in with the countless other Top 40 acts du jour. Whether it was JMJ’s influence or Taylor’s songwriting ambition, this album features synthesizers…lots of them. But the keyboards manage to bolster the songs listenability without interfering with them, which is impressive considering the band never recorded with them before.

    Paramore’s most valuable asset, Hayley’s voice, has never sounded better. Her face-melting wails are balanced by the album’s three ukulele accompanied interludes and the gentle and beautiful “Hate to See Your Heart Break.” Lyrically, Hayley has put the band’s new outlook in the forefront. The overarching theme of this record is “when happens, pick yourself up and move forward, because there is a lot more life to live.”

    Paramore’s only real misstep, and I feel I may be nitpicking, is the organization of the songs. The interludes, for the most part, are catchy. But the sleepy “Holiday” wedged in between the Blink 182-inspred punk burst of “Anklebiters” and the Riot!/brand new eyes hybrid stomper “Proof” was a letdown. Also, “(One of Those) Crazy Girls,” which is a cross between the Ronettes and Weezer, seemed a little out of place toward the end of the record, and may become an afterthought.

    Nevertheless, Paramore is a sterling effort that the band and their adoring fans can be proud of. They’ve been through a lot, especially for a group of twenty-somethings who will undoubtedly continue to evolve and adapt. The end result is a collection of 17 songs that offers something for everyone. It is ambitious and traditional, insouciant and focused, fist-pumping and tender.

    A while back, Paramore left us as a troubled quintet seemingly pulling in opposite directions. They have reintroduced themselves as a refreshed, rededicated, and resilient trio of damn good musicians, moving on together, for one another, and for their fans.
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  23. Apr 9, 2013
    10
    Great album. All of the tracks are fun to listen and fluid (including the interludes). Outstanding album, that will break your heart with Still Into You and empowered with Now. If you're a Paramore fan, it's definately worth the buy.
  24. Apr 10, 2013
    10
    I was a bit scared for this album, but it surprised me! Every track has its different sound. There is something here for everyone. Some of their strongest and most mature music yet. Hayley is growing up!
  25. Apr 11, 2013
    10
    This Album is pure gold from beginning to end, maybe it changed from what Paramore used to sound but the changed for good and this sounds really cool with new electronic sounds, this is a must have album Paramore put great effort in this and is reflected in their music....
  26. Apr 11, 2013
    7
    Paramore have never been known to stray too far from the pop punk trend. Their previous efforts were clean cut, yet well produced, albums that deserve the positivity they have gotten. What we get with this new album is something very out of the ordinary for paramore...Experimentation. I think it's very fitting to call this an experimental album. With such variety and risks, it really can'tParamore have never been known to stray too far from the pop punk trend. Their previous efforts were clean cut, yet well produced, albums that deserve the positivity they have gotten. What we get with this new album is something very out of the ordinary for paramore...Experimentation. I think it's very fitting to call this an experimental album. With such variety and risks, it really can't be called anything else. In terms of the songs i was pleased with a majority of what was offered, but also felt it was too long for it's own good. I felt the interludes were redundant and didn't need to be there. Out of the other 14 tracks, ten of them i liked. The ones i just didn't like enough were "proof" "(one of those) crazy girls" and "hate to see your heart break". The rest of the songs ranged from pretty good, to fantastic. The best songs for me were "Future", "Ain't it fun" and "part II". Many fans of paramore will be drastically upset by these changes, and will probably fail to truly appreciate what this album is offering, which is a crying shame.

    Due to it's length and few redundant songs, the album just isn't perfect. But when it's good, it shines, and is definitely worth an avid listen, whether you're a fan of their previous work or not, because chances are, there is at least one song on this album that you will love.

    Hopefully through the experimentation of this album, Paramore will find a more solid basis on their next album and be able to refine their sound into something truly magical. Overall, i give this album a well deserved 7 out of 10
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  27. Apr 11, 2013
    10
    This album is the prime example of what happens when a band GROWS UP. The old songs by Paramore were about the hardships of life through a teenager's eyes. Songs like "Misery Business" and "crushcrushcrush" were great, (and dominated the songs played on my iPod in 2007 and 2008) but had little sustenance, and very straight forward lyrics. There was no deeper meanings to the songs that makeThis album is the prime example of what happens when a band GROWS UP. The old songs by Paramore were about the hardships of life through a teenager's eyes. Songs like "Misery Business" and "crushcrushcrush" were great, (and dominated the songs played on my iPod in 2007 and 2008) but had little sustenance, and very straight forward lyrics. There was no deeper meanings to the songs that make good songs great. The band actually said that they looked to reinvent themselves as a more mature band with the release of this album. This increased maturity is seen in songs like "Last Hope" and "Part 2." Not only are they written very well, but they are also performed well for a band who only has three actual members.
    One thing that people seem to be getting upset about is the change, saying that they don't "sound like Paramore" anymore. Well, you also have to remember that half of the band left, and that they actually stated that they are TRYING to change. I understand that this comparison will be a stretch, but when the Beatles changed from naive love songs to psychedelic masterpieces, what was the outcome? They created some of the most critically acclaimed albums of all time and the band THRIVED from it. So stop expecting the old emo- pop that they grew famous for. Expect songs with deeper meanings, well written melodies, and intense guitar solos.
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  28. Apr 12, 2013
    10
    I am really impressed with the writing and more positive spin on the album as a whole. As an avid listener of all Paramore albums, it can get a little repetitive listening to the "teen raging" songs all the time. This new album feels grown-up while keeping Paramore's signature sounds of alternative rock and Hayley's loud, rebellious singing. The Gospel/Funk song "Ain't It Fun" wasI am really impressed with the writing and more positive spin on the album as a whole. As an avid listener of all Paramore albums, it can get a little repetitive listening to the "teen raging" songs all the time. This new album feels grown-up while keeping Paramore's signature sounds of alternative rock and Hayley's loud, rebellious singing. The Gospel/Funk song "Ain't It Fun" was impressive to me, I would have never predicted that Hayley William's could sing so well in that style. I do believe that in the past version of this band, the album would have been edited differently and some songs would have been left out in order to create a cohesive, theme-based album, but it's the all-or-nothing musical ambition that makes this album stand out among the previous three albums and emulates their maturity as they grow into serious musicians. Expand
  29. Apr 13, 2013
    10
    The release of rock group Paramore’s eponymous fourth album is going to be scrutinized even more than usual due to the very public loss of two of the band’s founding members, brothers Josh and Zac Farro. The Tennessee band- whose previous hit, “The Only Exception”, earned them a Grammy nomination- is now reduced to Hayley Williams on vocals, Taylor York on guitar, and Jeremy Davis on bass.The release of rock group Paramore’s eponymous fourth album is going to be scrutinized even more than usual due to the very public loss of two of the band’s founding members, brothers Josh and Zac Farro. The Tennessee band- whose previous hit, “The Only Exception”, earned them a Grammy nomination- is now reduced to Hayley Williams on vocals, Taylor York on guitar, and Jeremy Davis on bass. However, the band is one to take a licking and keep on ticking, as proved by their 2009 effort “Brand New Eyes” and this new record.

    “Fast In My Car” kicks off the album with a hardcore percussive beat and immediately addresses the behind the scenes drama with lyrics like, “The three of us were initiates/We had to learn how to deal/And when we spotted a second chance/We had to learn how to steal”, just to name a few. “Now”, the album’s first single, is a pure head-banger, while at the same time recalling good old Paramore tracks like “Misery Business”.

    Williams’ fiery vocals are here in spades, but aren’t as in-your-face as with their other albums. She gives her fellow bandmates spots to shine, though that’s not to say she doesn’t pull through- quite the opposite. Her performance on “Paramore” is much more emotionally driven than something like “That’s What You Get”, or “Brick By Boring Brick”: songs that were written and performed as heavy attacks. It’s clear that the Farros’ departure has affected not only Williams’ songwriting, but her drive as well, which is especially clear on songs like “Ain’t It Fun”, which has Williams sharing the stage with a full-fledged choir, “Hate To See Your Heart Break”, a well-earned detour from the rest of the album’s intensity, and “Last Hope”, which will go down with “All I Wanted” as one of Williams’ most intensely personal performances ever.

    For hardcore Paramore fans, the band’s new direction may take some getting used to, as it did for this reviewer. But “Paramore” takes advantage of this reload, while still giving fans a lot to work with- The album’s 17 tracks clock in at a little over an hour. It’s the band’s best work yet and flat-out, bar none good music. If all this drama makes for an album this good, one wonders what the rest of their career will be like.
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  30. Apr 15, 2013
    9
    Okay so I have always been a huge fan of Paramore so it was pretty likely that I was going to score this highly. All I can say is if you weren't a massive fan of Paramore before this album then I urge you to give it a try. There is still the distinctive sound that we associate with Paramore, however there are lots of great added elements to it. This may not be the loyal "Parawhore's"Okay so I have always been a huge fan of Paramore so it was pretty likely that I was going to score this highly. All I can say is if you weren't a massive fan of Paramore before this album then I urge you to give it a try. There is still the distinctive sound that we associate with Paramore, however there are lots of great added elements to it. This may not be the loyal "Parawhore's" favourite album or for the people that "only love alt rock" but it's their loss. In my opinion there is something in there for everyone, from the slow "Hate To See Your Heart Break" to the poppy and upbeat "Still Into You" and "Anklebiters" you're bound to love something. This album is brilliant and is only bought down by one point as I don't believe it is the best lyrically. But believe me, Paramore are back, and they're better than ever. Expand
Metascore
81

Universal acclaim - based on 20 Critic Reviews

Critic score distribution:
  1. Positive: 15 out of 20
  2. Negative: 2 out of 20
  1. Classic Rock Magazine
    Jun 21, 2013
    30
    A parade of beige pop numbers that even Taylor Swift would turn down for being too generic. [May 2013, p.86]
  2. May 3, 2013
    80
    Paramore is both the band’s most polished and messiest album, which somehow pays off.
  3. Kerrang!
    Apr 30, 2013
    80
    It's daring and rarely less than dazzling. [6 Apr 2013, p.52]