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Melody and groove are secondary, and as for conventional song structure--forget it, because everything gets lost in an echoey miasma. Despite all that, the compositions do retain the capacity to beguile--if you have the time to let them.
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UncutTexturally, the mood is one of warm, sensual dreaminess, of hushed vocals and woozy analogue synth. Prins Thomas isn't, though, wanting of strong grooves. [May 2010, p.102]