Prisoner
by Ryan Adams
Metascore
79

Generally favorable reviews - based on 30 Critic Reviews

Critic score distribution:
  1. Positive: 26 out of 30
  2. Mixed: 4 out of 30
  3. Negative: 0 out of 30
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  1. The Independent (UK)
    Feb 15, 2017
    60
    Prisoner sticks to the well-trodden highways, whether it’s the echoes of U2 in the grand guitar stabs and earnest vocal tone of opener “Do You Still Love Me”, or the spangly, flanged guitars and relaxed sense of space that lend “Anything I Say To You Now” the laidback stadium sound of The Police.
  2. NOW Magazine
    Feb 13, 2017
    60
    Though there’s some absolutely gorgeous production that recalls the lush sound and synthscapes of 80s rock, the songwriting is weighed down by clichés.
  3. Record Collector
    Feb 2, 2017
    60
    The thing is, by Adams’ standards, too many of the songs sound slightly underwritten.
  5. Mojo
    Jan 25, 2017
    60
    Ultimately Prisoner is tethered by sturdy, familiar images of tightropes and trains. [Mar 2017, p.94]
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User Reviews

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User Score
8.0

Generally favorable reviews- based on 38 Ratings

User score distribution:
  1. Positive: 31 out of 38
  2. Mixed: 6 out of 38
  3. Negative: 1 out of 38
  1. JustinHowell
    Mar 22, 2017
    4
    This album is pretty disappointing. I was genuinely looking forward to it, but after listening, it really is just pretty "eh"... Now, theThis album is pretty disappointing. I was genuinely looking forward to it, but after listening, it really is just pretty "eh"... Now, the band's performance and the production of the album are great. The songs are excellently written and performed when it comes to the instrumentation, and the production is pretty satisfyingly dark, without being so dark that it contradicts the almost - *almost* glammy feel Adams seems to be going for on the record. But, Adams's performance really brings this record down. His 'emotional singing' sounds whiny more often than not, and the song lyrics - I'm not gonna mince words - are pretty **** The concept of this album is basically 'Ryan Adams is a Prisoner in this turbulent and sometimes abusive relationship', which is all well and good, but Adams's songwriting often offers no new perspective or unique observation regarding this feeling that pretty much every human being on the planet has felt before, which makes for pretty bland songs... and that's when the lyrics are even making any sense... and yes, they often don't make sense. I don't mean the lyrics are cryptic, like what you would get from say, Death Grips or Marilyn Manson, I mean Adams often says things that sound deep, but really don't mean anything.
    } Case in point: "you're like a book whose pages are so torn"...Yeah, that's enough to make a twelve year old goth kid go 'oh my god that's so deep,' but.. the hell does that even mean? Like really, really think about it, what does that even mean? ...

    Now, there are four songs on this record that I enjoyed, "Shiver and Shake", "To Be Without "Anything I Say to You Now", and "Breakdown." ....but I think that if my memory isn't deceiving me, the 'book with torn pages' line was in one of these songs. Nevertheless, Ryan Adams' songwriting on these tracks is mostly decent, and the instrumentals and production are especially great on these tracks... but besides those, I'm really not feeling this LP. -Justin Howell    … Full Review »
  2. nopejo
    Dec 4, 2017
    9
    The title track "Prisoner" is the most beautiful love song I have heard in a long time. I put it in the league of "Summer Wind" by FrankThe title track "Prisoner" is the most beautiful love song I have heard in a long time. I put it in the league of "Summer Wind" by Frank Sinatra. This album has 2 more exceptional songs "Breakdown" and "Tightrope".
    The whole album doesn't have a weak track. I wish Ryan Adams a long life and that he finds a soul partner whether it be in this material world or the spiritual world we end up in.    … Full Review »
  3. Ricko
    Sep 26, 2017
    9
    Ryan Adams clear learned alot about melody and writing pop songs when he dismantled Taylor Swift's "1989" and reassembled it in his own style.Ryan Adams clear learned alot about melody and writing pop songs when he dismantled Taylor Swift's "1989" and reassembled it in his own style. "Prisoner" take much of its sound and style from Adams version of "1989". I would argue it's got some of his catchiest stuff since "Gold" but these are pop songs in the same way that The Smiths wrote pop songs. Lyrically, "Prisoner" is reflective, deeply personal, often downbeat and dark. This is complemented by up tempo music, a trick used to great effect my Marr and Morrissey back in the day. The opening set of songs from "Do You Still Love Me" through to "Haunted House" is the strongest sequence of songs I've heard on any Ryan Adams record. Self regulation and self editing has often been a problem from Adams with the moments of genius in his back catalog diluted by the sheer quantity of material he releases. When you release so much so frequently, it's impossible to maintain a high level of quality. He's slowed down the output of late and "Prisoner" benefits hugely from this as it is concise, focused and every track stands up and justifies itself to the listener.… Full Review »
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