• Record Label: Verve
  • Release Date: Mar 31, 2009
User Score
6.3

Generally favorable reviews- based on 14 Ratings

User score distribution:
  1. Positive: 7 out of 14
  2. Negative: 2 out of 14

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  1. DavidW.
    Apr 20, 2009
    4
    I love Bossa Nova and also I enjoyed Diana Krall's last album very much. But the combination just doesn' t work out. Diana Krall's voice seems out of place, out of tune. The orchestra sounds spiritless and drowsy instead of laid back. The interpretations are lukewarm and uninspired. What a disappointment.
  2. RayB
    Apr 14, 2009
    4
    Not a best effort, Ms. Krall tries to break her formidable mold, and delivers a very nice smooth, and rather boring album. I use it as background music. During dinner. When no one is particularly listening. There is virtually no contrast here, and her voice is too soft and breathyt. I think it's supposed to be romantic, but it comes across as amateurish. She can do so much better Not a best effort, Ms. Krall tries to break her formidable mold, and delivers a very nice smooth, and rather boring album. I use it as background music. During dinner. When no one is particularly listening. There is virtually no contrast here, and her voice is too soft and breathyt. I think it's supposed to be romantic, but it comes across as amateurish. She can do so much better than this. Also, the full orchestra used to back her up is so far in the background that it might as well not be there. I guess someone wanted a truly safe album. Only for die hard Krall fans. Or people who don't like jazz much. And in hotel lobbies. Rest homes. Funeral home restrooms. Expand
  3. DaveK
    Apr 14, 2009
    6
    Individually the songs are beautiful but together they induce sleep. Lacks the "snap" of some of the arrangements on "Look of Love."
Metascore
74

Generally favorable reviews - based on 12 Critics

Critic score distribution:
  1. Positive: 9 out of 12
  2. Negative: 0 out of 12
  1. There may be a bit too much classic good taste on Quiet Nights--there is no reinterpretation, only homage--but that's not quite a problem because Krall knows enough to lay back, to never push, only to glide upon the gossamer surface.
  2. The line between dreamy and sleepy is a fine one, and many jazz singers have fallen on the wrong side of it when attempting bossa nova. Diana Krall, however, negotiates it skillfully on Quiet Nights, her first album of all bossas.
  3. Ogerman might be the only arranger alive who can make an overstuffed orchestra sound so distant and wistful, and Krall, suddenly channeling Julie London, is the taciturn symphony's whispery match.