Metascore
73

Generally favorable reviews - based on 14 Critics

Critic score distribution:
  1. Positive: 10 out of 14
  2. Negative: 1 out of 14
  1. There have been dark records by Chicagoan Bill Callahan. There have been wilfully obscure ones too, but there has never been one as single-mindedly dour as this.
  2. On the surface, Callahan sounds like he's getting out more.
  3. The only life in these monochrome songs comes from some feedback on Lazy Rain and squalling jazz horns on Revanchism. [Oct 2001, p.130]
User Score
tbd

No user score yet- Awaiting 1 more rating

User score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. Jul 21, 2013
    9
    First of all, I should disclose that I'm a huge Bill Smog fan, and I love (almost) everything he's done. 'Rain On Lens' has a unique sound, myFirst of all, I should disclose that I'm a huge Bill Smog fan, and I love (almost) everything he's done. 'Rain On Lens' has a unique sound, my mate described it as "swamp songs", quite different from any of his previous or later works. The critic review by Neumu.net describes the album, both it's musical narrative and the artist, quite well, better than I could have, he's obviously a big follower of Bill's also. Yet I love it, and he doesn't, gave it a 3/10. The critic is absolutely spot-on when he says 'Rain On Lens' ain't no 'Doctor Came At Dawn', though few albums ever made by anyone could come close to Doctor's sparse, haunting, and stunningly intimate, baroque atmospherics. He falls down somewhat by panning 'Dongs Of Sevotion', another brilliant Bill Smog album, but that's a matter of personal opinion, I guess. Anyway, listen to Smog, I find it cathartic. Full Review »