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UncutDec 8, 2023Niño’s adventurous, meditative spirit is a worthwhile companion for Ntuli’s masterful piano and expressive voice, resulting in an album that is vivid and subdued in equal measure, the vitality of a battle cry rendered as a warm embrace. [Jan 2024, p.29]
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MojoNov 21, 2023A brave, stand-alone release that lays her talent bare, it's a beautiful unreal entrancement you'll find hard to stop listening to again and again. [Dec 2023, p.91]
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Nov 21, 2023This glorious, vulnerable set offers pure collaborative inspiration at once strident and vulnerable, minimal, and aesthetically expansive.
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Nov 21, 2023It is a remarkably exposing record that showcases Ntuli’s mastery of her instruments. Opener Sunrise (In California) sets the tone, shifting through Robert Glasper-style chord progressions, while its counterpart Sunset (In California) taps into the plaintive phrasing crafted by the father of South African piano jazz, Abdullah Ibrahim.
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Nov 21, 2023The music is spare, laser focused on those incandescent gospel melodies that feel like a Mzansi jazz birthright, and on ways to minimally ornament them for a broader, internationalist (Anthem and otherwise) audience. Such embellishment doesn’t obscure Ntuli’s expansiveness. It shows her power in a different light.
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The WireDec 1, 2023Most tracks feature piano and vocals in a mix of essentialised South African stylings. A highlight is the simple, lilting hymn “Nomayoyo”, with Ntuli’s gentle, breathy vocals. “Lihlanzekile” is a quietly rolling piece of melancholia. [Dec 2023, p.58]