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Rainford Image
Metascore
80

Generally favorable reviews - based on 10 Critic Reviews What's this?

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  • Summary: The latest full-length release from the Jamaican dub artist was produced by Adrian Sherwood.
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Score distribution:
  1. Positive: 9 out of 10
  2. Negative: 0 out of 10
  1. Mojo
    May 30, 2019
    100
    Rainford is a late-career answer to 1978 Roast Fish, Collie Weed & Corn Bread, and beyond all reasonable expectation, fully its equal. [Jun 2019, p.94]
  2. The Wire
    Jun 6, 2019
    80
    Rainford is a classic set of Scratch vocals: science fiction nursery rhymes, apocalyptic lullabies, their melodies light as air yet rocksteady. Scratch’s delivery at the age of 83 is like Dylan’s present-day rasp, no longer about hitting notes or even tone necessarily, but heavy with the weight of his personal and musical history. [May 2019, p.61]
  3. Sep 3, 2019
    80
    Thanks to Sherwood’s production, all nine songs on Rainford are engaging on the macro level; you won’t have to work hard to enjoy them, and you’ll remember how they go later, and the micro; they are, in the classic dub tradition, rich with bizarre surprises.
  4. Uncut
    May 30, 2019
    70
    Perry's cartoonish persona can grate, so it's refreshing to hear him speak from the heart on Rainford. [Jun 2019, p.32]
  5. May 31, 2019
    70
    Some tracks feel like freestyles, with Biblical allusions that veer into babbling chants, snarls and shrieks. Sherwood’s signature sound is crisper and brighter than vintage Perry; the grooves here are mostly taut, whirlpooling gradually, with dub pyrotechnics largely reined in.
  6. May 31, 2019
    70
    Rainford marks a welcome return for an artist who for far too long had been rendered all but invisible behind his abstruse wit, esoteric demeanor, and all those mirrors.
  7. 60
    There’s some of The Upsetter’s fever dreams in African Starship, and Kill Them Dreams Money Worshippers has a fiery strut, but sometimes Rainford sounds like a posthumous tribute, with Perry a wraithlike absence haunting the spaces of his exhumed past.

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