- Critic score
- Publication
- By date
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Jul 2, 2013Nothing about this album makes a lick of sense. If you’re a longtime obsessive fan of the group (and really there is no other kind), though, you don’t really care if it does. Like fellow prolific weirdo Jandek, it’s enough that Smith is still out there spouting off against all odds.
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Classic Rock MagazineJun 26, 2013The fact that The Fall are still going is remarkable enough; the fact that they're still making extraordinary records is even more so. [Jul 2013, p.92]
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Jun 17, 2013Re-Mit, while able to hold its own in some quarters, is not the best of The Fall by any stretch. However, some of the strange humour and twisted narratives, sorely lacking from their last release Ersatz G.B., are back.
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The WireJun 5, 2013Measurable, replicable perfection has never been Smith's raison d'etre and Re-Mit--their 30th studio album in 37 years--possesses all the eccentricity of the group in their early pomp. [Jun 2013, p.49]
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May 23, 2013As with nearly all of the Fall, this album does what it wants to do, forcing the listener to submit to its terms.
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May 17, 2013It’s an unsettling, incomparable racket of The Fall at their wonderful, frightening best.
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May 16, 2013It’s messy and menacing in equal measure, a bar fight that ends in broken glass and slippery floors, but not before landing a few killer strikes.
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May 16, 2013On the whole, it matches Smith’s cheerier mood. A couple of abstract jam splodges aside, the album is punchier and less dirgy than last time.
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May 13, 2013Far from being terrifying, it sounds like Smith is actually having fun.