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Merritt's songs are as delicate and meticulous as porcelain miniatures. Unfortunately, Realism holds more tchotchkes than museum pieces.
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Ultimately, Realism neither impresses nor disappoints.
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Q MagazineThe acoustic-only, antique-sounding folks songs of Realism are superficially less abrasive than 2008's Distortion, but beneath they still articulate black-humoured romanticism. [Feb 2010, p. 111]
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Merritt's singularity just feels awkward, and Realism is another album in a catalog more concerned with quantity than quality.
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His songs succeed when they balance on the knife-edge of banality and pathos, and when they succeed in making formula redeem itself and regain a kind of innocent power. For most of Realism, unfortunately, Merritt fails to even remotely strike this balance, abandoning any emotional power as he falls victim his penchant for formula and banality.
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UncutRealism is conceptually closer to "69 Love Songs" than anything he's done since, opting for a "variety folk" sound somewhere between Kurt Weill and Sufjan Stevens, but its ratio of heart-felt-to-hokey is out of whack. [Feb 2010, p.93]
User score distribution:
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Positive: 8 out of 12
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Mixed: 2 out of 12
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Negative: 2 out of 12
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Dec 4, 2014
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Aug 15, 2010
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AlR.Jan 26, 2010As good as a Distortion follow-up can get. Merritt writes like no one.