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Mar 10, 2011With three of four original members, Red Barked Tree evolves like a bell curve – starting cool, building to a boil, and gradually coming back down.
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Jan 7, 2011Their 11th studio album is 40 minutes of gorgeous nothings, full of intricate curlicues of sparkling Colin Newman guitar and synth given beef by the surging rhythms of Robert Grey aka Gotobed and Graham Lewis
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Jan 10, 2011As late efforts go, Red Barked Tree sounds alive, vital, and appropriately restless; and as aging rockers go, Wire remains well worth whatever wait comes next.
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Jan 7, 2011Wire doesn't break ground on Red Barked Tree, but more than three decades into its career, the band's deceptively simple songs still exude subversive allure.
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Jan 11, 2011The band's third generation began just after the turn of the century and this LP completes a trilogy of new work that is confident yet vulnerable, refined yet earthy, moody yet flippant, representing a highly commendable contribution to the current scene, suggesting they are more relevant today than ever before.
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Jan 18, 2011This is in many ways what you'd expect from a new Wire album. It has so many pieces of their signature sound; it has the reinvention, the added textures, and ideas.
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Jan 21, 2011Potentially most interesting of all is the way parts of Red Barked Tree sound dated in a manner completely unrelated to how some of Wire's records haven't, y'know, aged that well.
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Jan 7, 2011The late-'70s postpunk legends expand on their famously minimal sound in Red Barked Tree.
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MojoApr 12, 2011Red Barked Tree compares favorably with the very best of the definitive Wire. [Feb. 2011, p. 98]
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Jan 10, 2011Red Barked Tree is a proud and unapologetic album; as it shifts between sounds there's conviction in every noise and word. It's the sound of a band still having a lot of fun. And there's not an ounce of nostalgia.
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Jan 18, 2011Wire have bizarrely remained a cult concern. This ought to change with the release of their 12th record, 11 clever tracks of unrelenting and witty pop.
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Jan 11, 2011The band stays true to their rhythmic minimalism and bouts of art-infused modernity and Red Barked Tree has a consistency that its predecessor lacked to some extent, though 47 seemed more prone to experimentation and risk.
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Jan 18, 2011Recorded, like their last album, without guitarist Bruce Gilbert, it contains many other ingredients that will sound familiar to long-time fans, namely an emphasis on erudite, sometimes snotty lyrics and big, heavy riffs.
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Jan 13, 2011By the time we reach the slow-burning title-track closer-- a quiet plea for eco-sanity propelled by tense, tightly coiled acoustic strums-- Wire have successfully reinvented themselves once again.
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Jan 11, 2011Over 11 tracks of fantastically unapproachable guitars and vocals, of deceivingly simple rhythms and unswerving purpose, Wire sound perfectly comfortable in their own skin and sense of history on Red Barked Tree.
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Jan 11, 2011There's enough good to be found here, as well as in the band's restless exploration of new avenues, that Red Barked Tree can stand on its own in the enduring continuum of the band's progress and not just as a pale imitation of older material.
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Jan 11, 2011On Red Barked Tree, that negative space - a reflection of pop's false warmth, and perhaps of humanity's greater estrangement from itself - is frozen even harder than usual.
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The WireMar 1, 2011The reason it all works is because with repetition and familiarity comes discipline and rigour--and Wire still have a lively and open relationship with both of them. [Feb 2011, p.57]
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Jan 13, 2011With this strangely juvenile rush of an album, Wire have simultaneously honored and eroded the legacy of Pink Flag.
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UncutJan 24, 2011Red Barked Tree is the most successful product to date of this examination. [Feb 2011, p.86]
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Under The RadarJan 10, 2011Red Barked Tree continues the momentum discovered on this unlikely coup of a second act. [Year End 2010, p.71]
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Jan 26, 2011Red Barked Tree captures the sharp and fiery hallmark defined by Colin Newman, Graham Lewis and Robert Grey some thirty-odd years ago to strike a pressure point relevant to younger generations.
User score distribution:
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Positive: 6 out of 11
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Mixed: 5 out of 11
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Negative: 0 out of 11
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May 30, 2011
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Feb 20, 2011
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Jan 24, 2011Since the creation of their own record label â