User Score
Universal acclaim- based on 1078 Ratings
User score distribution:
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Positive: 889 out of 1078
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Mixed: 114 out of 1078
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Negative: 75 out of 1078
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RyanAJun 1, 2009Passionless album. Eminem lacks more and more authenticity with each forthcoming album, and only makes up for it with low brow shock value comments. I would download it to try it and then delete it from my ipod.
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ZacariasYJul 1, 2009The worst album of the year and one of the worst rap albums of the decade.
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JasonD.Dec 16, 2009
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RizeE1May 19, 2009bullshit rhymes about jerking off, raping people, pissing on them, dirnking their bathwater, dumb accents, and vicodin and xanax. good flows, good beats... thats the most you'll get out of this. someone with eminems talent should be able to do better, dont let him get away with this ****.
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SeanMMay 19, 2009This is a terrible album. Don't buy it unless you want more of the same. Sellout manifesto.
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martinKMay 27, 2009
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RobertS.May 28, 2009
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JustinFJun 14, 2009Once a pop culture phenomenon exuberantly spilling his emotion regarding his troubled life, is now lacking substance and meaning. Relapse was worth a listen, only to realize I had to turn it off because the novelty that was Eminem has worn off.
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TheeStrangerNov 5, 2009
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ChrisSJul 15, 2009Once great, now just puts out crap like this. Avoid.
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JonW.Jul 17, 2009
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Aug 21, 2010
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BillWMay 19, 2009This is nothing compared to the MM LP. What happened?
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kpatMay 20, 2009Eminem's new album is a as crusty as his last. He has an incredible talent to spit good lyrical content, but fails to do so again. The reason this album fails is because he reverts back to nagging about his oh-so-sad life coupled with less than enjoyable clown tracks. He should retire again, and stick to producing beats.
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Jan 13, 2012Both lyrically and vocally, This is Eminem at his worst. IMO its easily his worst album. The only good song on the album was Underground (it was only good because it was Eminem in his old style). Truely one trashy album.
Awards & Rankings
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Thankfully, producer Dr. Dre is there to temper the lyrical bloodletting, laying heavyweight hooks over even the most scabrous tales of family disturbia, and setting 'Bagpipes From Baghdad,' Em's inspired riff on rumored ex Mariah Carey, to snake-charming woodwind squiggles.
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It's an impressively focused and clever work. But this music is not transcendent. It's still stuck in Marshall Mathers' muck, his fundamental mistrust of pleasure and love.
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By letting Dr. Dre take over the low-end-funk production, and rhyming about things he actually cares about, he comes up with a more painful, honest and vital record than anyone could have expected at this late date, up there with "The Eminem Show" or maybe even better.