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The WireDec 11, 2017Yoshimi’s mesh of voices is sometimes overpowering, although, as with Björk, that feeling of overpowerment is part of the deal, constructed to bring the listener to a place that feels like the edge of something--the singer’s endurance; the listener’s understanding--only to push them over into somewhere else entirely. [Nov 2017, p.61]
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Oct 24, 2017It is highly electrifying, however, and ranks among the enigmatic, boundlessly exuberant vocalist's most joyous work.
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MagnetNov 21, 2017Anyone who appreciated that combo's [OOIOO] giddy exuberance and arcane tunefulness will find plenty to like on this record's seven intricately arranged tracks. [No. 148, p.60]
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UncutOct 24, 2017Saicobab whip up a sonic maelstrom that's every bit as intense as the shock tactics of Boredoms' early noise recordings or the polyrhythmic psychedelia tat followed. [Dec 2017, p.30]
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Oct 24, 2017Bizarrely infectious and never dull, this album of anarchistic yet spiritually reverent psychedelic experimental ragas is well worth checking out.
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Oct 24, 2017The sounds are cosmic and enveloping, yet at times comedic, and full of joie de vivre. It’s fulsome, nattering with treble, and all quite similar, and is hence something of an assault course, but is a great reaffirmation that Yoshimi holds the keys to happiness, as viewed through a cracked mirror.