Metascore
84

Universal acclaim - based on 5 Critic Reviews

Critic score distribution:
  1. Positive: 5 out of 5
  2. Mixed: 0 out of 5
  3. Negative: 0 out of 5
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  1. Feb 23, 2018
    100
    The King Crimson archive is a thing of genuine wonder: it feels as though there isn’t a single picosecond of their career that hasn’t been somehow preserved, and the meticulous largesse with which this archival cache is curated and packaged sets an intimidating benchmark.
  2. Feb 23, 2018
    90
    Hours upon hours of material is present for listeners, the hardcore and the uninitiated alike, to indulge in; the five-pound box provides listeners with a potentially new outlook on this underappreciated era of King Crimson, and is guaranteed to be worth the price of entry just for the fleeting mellotron strains of “Lizard” alone.
  3. 80
    The rehearsal tapes (appended as ‘Bonus Discs’ for some reason) are a raucous mesh of noise and then stabs of brilliant invention that cut through like a radio signal coming out of white noise. The unpublished photographs, nuanced liner notes and, deliciously, a download code for yet another concert (Hyde Park, 1971) not only reaffirm Fripp’s tenacity to keep creating and doing things in his own way, but to also frame those moments, hold them forever and see them sparkling in the light.
  4. The Wire
    Feb 23, 2018
    80
    The live material captures a potent clash of styles and reminds that progressive rock was not necessarily a pseudo classical confection. [Mar 2018, p.66]
  5. Feb 23, 2018
    70
    Although the Poseidon, Lizard and Islands discs all contain bonus tracks and outtakes, the boxset’s primary focus is on live material. Over a dozen concerts from 1971–2 are included, four of which are previously unreleased. ... The sound of the ’71 gigs is gritty and realistic, and often mixed in stereo. But there’s a noticeable drop in quality when the ’72 gigs start (on disc 10) in Wilmington, Delaware. These are cassette recordings, very rough and bootleggy.

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