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Culture clashes never sounded so good.
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Sea Lion's artwork, song titles, and McPhun's background all suggest something pan-global and yet the album shines brightest when it stays closest to its indie rock roots--a reminder that despite their escapist charms, exploration and travel work best as an accent to the familiarity and comfort of home.
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Layered, and a bit rough-around-the-edges, Sean Lion is also a heck of a lot of fun, and marks The Ruby Suns as a young group to keep an eye on.
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Sea Lion is a delight.
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UncutThe sumptuous Sea Lion sees him exploring similar territory to the Elephant 6 collective, adding notes of African highlife, Polynesian folk, Disney soundtracks and (briefly) '80s synth pop, to joyous and naively charming effect. [Apr 2008, p.99]
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MojoRyan's predilection for Wilsonesque harmonies, glokenspiel, etc, erupts into twinkly fairytale pop that's bold and forward-looking in equal measure. [Mar 2008, p.113]
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Simple as that: this, their sophomore release and first for Sub Pop, is shamelessly gorgeous, totally in control of every threatening exigency and bombastic color.
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FilterLike New Zealand itself, it must be experienced to be really understood. [Winter 2008, p.92]
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The Ruby Suns’ greatest strength is how easily they’re able to pull off this mix on Sea Lion without seeming over-bearing or preening. It makes the whole album seem effortless.
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The result is warm, dreamy, evocative and beautiful, a worthy successor to 2005's self-titled debut and an album to savour under the late evening sun, once the summer arrives.
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A strange, lovely trip.
User score distribution:
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Positive: 7 out of 9
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Mixed: 1 out of 9
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Negative: 1 out of 9
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MortenF.Apr 24, 2008
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OliverC.Apr 22, 2008I love this album. It loses a point because it does get a little boring at times, but otherwise it is beautiful and fun.
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LawrenceCharlesApr 21, 2008