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Shelter From The Ash is a more sedate affair, full of ghostly baroque folk stories that feel disappointingly ethereal.
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SpinDespite Shelter From The Ash's transcendent drones and trippy, Eastern-inspired guitar figures...[Chasny's] vocals too often kill the buzz. [Dec 2007, p.125]
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Under The RadarThe songs on Shelter From The Ash can still stand strongly when taken in a shallow retrospect as an introduction to the band, but, when looking at the span of Chasney's prolific output, it can't help but feel like treading water. [Fall 2007, p.76]
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Q MagazineIt can be a little ponderous, but the unearthly dawn chorus of 'Jade Like Wine' or the ritual freakout of 'Goddess Atonement' leave you yearning ofr a solstice to celebrate. [Dec 2007, p.124]
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Given the exploratory transience of Six Organs' catalogue, Shelter from the Ash feels too much like work, too much like what had to happen.
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Although there are moments of striking beauty here, the guitar sounds become repetitive, and Chasny's vocal is not particularly convincing.
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Shelter doesn't settle into one sound--which is fine--but it's never able to harness its manic energy into anything coherent.