User Score
Universal acclaim- based on 396 Ratings
User score distribution:
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Positive: 347 out of 396
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Mixed: 12 out of 396
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Negative: 37 out of 396
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Mar 8, 2020this clown has never made a good song in his life let alone a good album wtf do people like about this mumble dick head
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Dec 12, 2018This album, in my opinion, does nothing. No good lyrics, no good beats. Come to expect this of him. Will not play this again.
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Dec 5, 2018Anyone that says this album is 'revolutionary' or even good are lying and are sad that they had to wait 3 years for it. I am sorry but it's not risky this album, it's just bad and boring and a total drag to listen to.
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Dec 1, 2018I'm a huge fan of Earl, but this sounds like a low quality mixtape with just random verses thrown on random sounds and beats. Kind of disappointed that I had to wait 3 years for this.
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Dec 5, 2018Unfortunately does nothing for me. A competent rap devoid of any genuine courage to push boundaries in his subject matter. Awful
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Apr 4, 2020There Is Nothing I Can Say Great About This Album. Production Is Loud, Distracting, And Irritating, Which Pretty Much Drowns Out The Lyrics. I Feel Like If The Production Was Turned Down A Notch, I Would've Been Able To Hear The Lyrics And Possibly Enjoy The Album. It's Like Listening Too Mumble Rap, But Instead Of Mumbling, We Get Overly Dramatic Samples Of Quiet Rapping. I Am Disappointed.
Awards & Rankings
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The WireJan 25, 2019It’s hard to get with the tiresome self-deprecation of that album title, the way he hides his pain behind a smile and hides his smile behind a dope aesthetic on that artfully blurred cover. When Earl does choose to project beyond his navel he has a powerful, booming voice and an ear for novelty. Where his gaze shifts to the outside world he can be inspirational. [Feb 2019, p.56]
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MojoJan 23, 2019By combining the searing intimacy of a boombox-constructed mixtape with progressive and delirious bars, Earl's third album offers a rare kind of insight, sagacious from a 24-year-old. [Mar 2019, p.80]
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Dec 20, 2018For all its signs of progression, the record is never heavy-handed with its ambition. Its unforced attempt at making sense of the fraught present, at finding shelter without resorting to convenient escape, is a rare and, dare I say, sincere feat.