- Critic score
- Publication
- By date
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MojoTheir best in years. [Dec 2003, p.118]
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And while it is a bit less corrugated than some of its early work, it packs a bite that's far more venomous than any of the sound-alikes that continue to nip at Plaid's heels.
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This is a disc that springs to life under closer inspection but also serves quite capably as background music -- the kind that draws in casual listeners and gets them asking questions.
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UncutIntelligent and addictive. [Nov 2003, p.110]
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Q MagazineA shadowy affair, overflowing with fractured breaks, amoebic bass and emotive, medieval chords. [Nov 2003, p.120]
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Rest Proof Clockwork and Not for Threes are both better LPs for the long haul, but that doesn't necessarily mean that there is anything particularly wrong with Spokes.
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At times its earnestness and self-conscious attempts to prove its own expertise make it seem more like the work of a surly, awkward late-adolescent.
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Indeed, there are some dull moments on Spokes, but plucking tracks from the record and turning them around under the magnifying glass probably misses what Plaid intended (this one seems meant to be listened to in succession).
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There is, undoubtedly, something impressive in the craft and detail of Plaids labours, but the whole lacks an intangible something to lodge their 'Spokes' securely in our hearts.
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Nearly all of this territory has already been plotted with more detail and flair on Handley and Turner's first three records.
User score distribution:
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Positive: 3 out of 5
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Mixed: 1 out of 5
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Negative: 1 out of 5
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