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And while it is a bit less corrugated than some of its early work, it packs a bite that's far more venomous than any of the sound-alikes that continue to nip at Plaid's heels.
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MojoTheir best in years. [Dec 2003, p.118]
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Indeed, there are some dull moments on Spokes, but plucking tracks from the record and turning them around under the magnifying glass probably misses what Plaid intended (this one seems meant to be listened to in succession).
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Rest Proof Clockwork and Not for Threes are both better LPs for the long haul, but that doesn't necessarily mean that there is anything particularly wrong with Spokes.
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Q MagazineA shadowy affair, overflowing with fractured breaks, amoebic bass and emotive, medieval chords. [Nov 2003, p.120]
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This is a disc that springs to life under closer inspection but also serves quite capably as background music -- the kind that draws in casual listeners and gets them asking questions.
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At times its earnestness and self-conscious attempts to prove its own expertise make it seem more like the work of a surly, awkward late-adolescent.
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UncutIntelligent and addictive. [Nov 2003, p.110]
User score distribution:
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Positive: 3 out of 5
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Mixed: 1 out of 5
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Negative: 1 out of 5
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TySOct 30, 2003
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