User Score
Universal acclaim- based on 4 Ratings
User score distribution:
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Positive: 3 out of 4
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Mixed: 1 out of 4
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Negative: 0 out of 4
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Apr 5, 2023The menacing album cover will make you think this record is a harsh and aggressive sounding one. It is, but on Sasami's "Squeeze" , there are also light-hearted and introspective moments that veer into pop, which are enjoyable. I enjoy the trashing "Skin a Rat" and the meditative "Call Me Home" the most.
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Mar 5, 2022Este álbum es arte, merece todo lo bueno del mundo, las mezclas de géneros y la voz de Sasami son perfectos
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The WireApr 26, 2022The dryness of the recording is key, there’s an intimacy to everything that makes even the heaviest moments (“Skin A Rat”) feel like you’re hearing them in a dead room, and the shifts in tone from the punchy (“Sorry Entertainer”) to the plangent (“The Greatest”, “Tried To Understand”) and the gorgeous chorale-like (“Feminine Water Turmoil”) remain utterly convincing thanks to Ashworth’s miraculous voice. [May 2022, p.55]
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Mar 8, 2022On the canyoning, Weyes Blood-sounding brooder “Not A Love Song”, she seems to find peace within her place in a corrupted world, realising the illusion that its violence inherent can be captured or neutered. Squeeze opts to bathe and contort in it with visceral theatricality.
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Mar 8, 2022Ashworth melds two distinctively ’90s sound worlds. Squeeze holds Korn, Disturbed, and System of a Down in one hand; Sheryl Crow, Faith Hill, and Shania Twain in the other.