• Record Label: Domino
  • Release Date: Feb 25, 2022
User Score
8.3

Universal acclaim- based on 4 Ratings

User score distribution:
  1. Positive: 3 out of 4
  2. Negative: 0 out of 4
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  1. Apr 5, 2023
    7
    The menacing album cover will make you think this record is a harsh and aggressive sounding one. It is, but on Sasami's "Squeeze" , there are also light-hearted and introspective moments that veer into pop, which are enjoyable. I enjoy the trashing "Skin a Rat" and the meditative "Call Me Home" the most.
  2. Mar 5, 2022
    10
    Este álbum es arte, merece todo lo bueno del mundo, las mezclas de géneros y la voz de Sasami son perfectos
Metascore
79

Generally favorable reviews - based on 11 Critic Reviews

Critic score distribution:
  1. Positive: 10 out of 11
  2. Negative: 0 out of 11
  1. The Wire
    Apr 26, 2022
    80
    The dryness of the recording is key, there’s an intimacy to everything that makes even the heaviest moments (“Skin A Rat”) feel like you’re hearing them in a dead room, and the shifts in tone from the punchy (“Sorry Entertainer”) to the plangent (“The Greatest”, “Tried To Understand”) and the gorgeous chorale-like (“Feminine Water Turmoil”) remain utterly convincing thanks to Ashworth’s miraculous voice. [May 2022, p.55]
  2. Mar 8, 2022
    73
    On the canyoning, Weyes Blood-sounding brooder “Not A Love Song”, she seems to find peace within her place in a corrupted world, realising the illusion that its violence inherent can be captured or neutered. Squeeze opts to bathe and contort in it with visceral theatricality.
  3. Mar 8, 2022
    72
    Ashworth melds two distinctively ’90s sound worlds. Squeeze holds Korn, Disturbed, and System of a Down in one hand; Sheryl Crow, Faith Hill, and Shania Twain in the other.