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This might be enjoyed by folks who are really into the Burzum albums Varg Vikernes made from his prison cell, but even Suicide fans will likely find Stigmata hard to get excited about.
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Even accounting for his career of uncharitable experimentation, Martin Rev’s eighth solo album is something new again. To wit, it’s a haunting, intricate electro-classical record.
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So all in all, it’s nice to see that forty-plus years on, at least one member of Suicide is still making bold, challenging, daring music, and you’ll probably struggle to find a more groundbreaking album than Stigmata in 2010.
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The sound of Stigmata is grayed and stale--reaching, perhaps, for 18th-century Baroque, but instead winding up stuck in a rusty soundcard from 1998.
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UncutAll round, it's a remarkable electronic musicanship. [Apr 2010, p.124]