• Record Label: Matador
  • Release Date: Jun 4, 2002
Metascore
59

Mixed or average reviews - based on 12 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 12
  2. Negative: 2 out of 12
  1. Uncut
    30
    What makes B&S great is conspicuous by its absence.... For completists only. [Jul 2002, p.101]
  2. Hidden amongst the bilge, there are six proper songs here, with words and everything. But they only serve to prove how erratic Belle And Sebastian have become.
User Score
6.9

Generally favorable reviews- based on 11 Ratings

User score distribution:
  1. Positive: 8 out of 11
  2. Negative: 2 out of 11
  1. JoeR
    Aug 24, 2005
    10
    The critics don't know jack.
  2. OutAndAboutWithGilbertMulroneycakes
    Dec 6, 2003
    7
    Anyone noticed how Playlouder aren't much on constructive criticism? Anyway, what with seeing the film the other day and all, I decided, Anyone noticed how Playlouder aren't much on constructive criticism? Anyway, what with seeing the film the other day and all, I decided, mad, impulsive guy that I am, to revisit the soundtrack album. Remembered as I took the CD out of its jewel case that Dear Catastrophe Waitress keeps getting listed as B&S' fifth album, skipping this one completely. That can't be good. And...well, it is probably their least satisfactory album as a piece of work...but considering the competition, that doesn't mean grapes. It's not bad, but it doesn't really hold together as an album - perhaps partly due to the decision to write two or three tunes for the movie and rearrange them according to the action, making for a great soundtrack to a motion picture, but a slightly repetetive album. Still, the songs themselves sit nicely alongside the rest of their oevre - the title track, which has a hint of "Boy With The Arab Strap" melodicism to it, and "Big John Shaft" especially - and, you know, it's good and that. Reccomended if you're a B&S fan, but if not, get Tigermilk instead. For it is the alpha and the omega. Full Review »
  3. SabalomG.
    Jul 2, 2002
    7
    Not bad. Not bad at all. It is an OST, you know, you have to expect it to, you know, BE AN OST. Maybe they should just collectively bleed Not bad. Not bad at all. It is an OST, you know, you have to expect it to, you know, BE AN OST. Maybe they should just collectively bleed into a pint glass and deliver it to you on rollerskates without spilling a drop, then would you be satisfied? Full Review »