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Aug 17, 2017It lovingly invokes both the past and the future without fully submitting to either.
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Q MagazineAug 15, 2017Echoes of early Pink Floyd, Saint Etienne and a tougher Vashti Bunyan prevail, but this is an original and haunting collection. [Sep 2017, p.109]
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UncutAug 15, 2017Avant-folk with a thin glaze of psychedelia and gurgles of electronica on songs that draw their charm from the contrast between Dyble's crisp enunciation and vaguely experimental settings. [Sep 2017, p.26]
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MagnetAug 15, 2017The results echo any number of indelibly British daydreamers, from Syd Barrett-era Pink Floyd and XTC at its wispiest on down to Saint Etienne and the Clientele: rife with memory and magic, as fragrant and saturated as a sticky, sleepless summer night. [No. 145, p.61]
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Aug 24, 2017Stranger moments fare better than the bluesier ones; they make you think of small-label releases, found in attics, which get reissued on 180g vinyl. More weirdness, more wonder.
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MojoAug 15, 2017Knowingly nostalgic, it's an album with a very strong sense of itself. [Sep 2017, p.86]