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- Summary: The second full-length release from Los Angeles-based Australian rapper Tkay Maidza features production by Kaytranada and guest appearances by Duckwrth, Flume, Amber Mark and Lolo Zouaï.
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- Record Label: 4AD
- Genre(s): Rap
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Score distribution:
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Positive: 5 out of 7
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Mixed: 2 out of 7
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Negative: 0 out of 7
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Nov 3, 2023Bridging past and present, Sweet Justice is a breathless, intoxicating album bursting with ideas and creativity, and reveals something different and compelling with every listen.
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Nov 3, 2023Amid an existing height of musical Afrofuturism, ‘Sweet Justice’ is a crowning achievement - an assertion of self through distinct and precise perspective at the apex of a movement.
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Nov 3, 2023While not teasing her next chapter, in her quest for more, Maidza has crafted a collection of perfectly constructed songs that encapsulate her karmic truth: that living well is the best revenge.
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Nov 3, 2023Abstract philosophizing aside, Sweet Justice remains as immediately gratifying as the rest of her catalogue; its rapping is smoother, its hooks are catchier, and its instrumentals more fine-tuned and studied.
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Nov 3, 2023Despite a few stumbles—”WASP” and closing track “Walking On Air” are the album’s most generic offerings—her frenetic fire-and-ice routine is impressive. She’s grown up without losing her freshness, refining the skill and intensity that got her here in the first place.
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Nov 6, 2023Party music looms large, thanks to tunes like Out of Luck, Ghost! and What Ya Know; range and depth comes in the form of Wasp’s husky R&B. But the feelgood moments, though nagging, can’t help but feel slightly anodyne compared with Maidza’s more lethal modes.
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Nov 3, 2023Based loosely around a theme of karma and betrayal, it’s possible that the attempt to tie everything together lyrically came at expense elsewhere. The sequencing doesn’t help: following the Lykke Li-ish opener “Love And Other Drugs” and nuclear trap of “WUACV” (which stands for “woke up and chose violence”) comes a Barbie pink, seven-song sampler of other peoples’ sounds. We don’t get to see Maidza again until the three bangers crammed into the back half, which is very late.