BlenderA whip-smart, 13-song satire on FM-radio machismo and lyrical cliches. [Nov 2006, p.140]
New Musical Express (NME)Unfortunately, despite some nice tunes, the formula seems a little, well, formulaic. [11 Nov 2006, p.43]
Alternative PressFor a bunch of comedians, the Electric Six sure are talented musicians. [Dec 2006, p.189]
Q MagazineNo band can survive on novelty alone, and Electric Six still thrive on parody rather than invention. [Dec 2006, p.134]
UncutThey've turned their backs on disco and privileged operatic rock while retaining their--ahem!--inimitable sense of fun. [Dec 2006, p.106]
AlexK.Mar 1, 2008What's there to say? They keep changing and improving. Tehy're fun, and live they kick ass.
SteveTDec 19, 2006catchy, melodic,classic,what more could you want as good as any album ive heard this year. Infected Girls and I Buy the Drugs deserve the catchy, melodic,classic,what more could you want as good as any album ive heard this year. Infected Girls and I Buy the Drugs deserve the success Gay Bar and High Voltage got.… Expand
barrettbDec 9, 2006This album is zany and fun like 2002's fire. It may not engage the intellect, but it does all that a good rock album should do IMO. This This album is zany and fun like 2002's fire. It may not engage the intellect, but it does all that a good rock album should do IMO. This kind of album is too much fun and dance commanding for the so-serious indie crowd, who can't seem to relax and have a good time. Yes, the frat boys like it, but that in itself shouldn't keep you from liking it too. E6's shows in Toronto have been a blast....… Expand
CurtPJan 7, 2007Advice to critics: Get over yourselves and listen to the album again without preconceived notions. I did not like it the first time I Advice to critics: Get over yourselves and listen to the album again without preconceived notions. I did not like it the first time I listened to it, because I too expected it to sound like the first album. I actually hated it and thought it was crap. Then I really listened. The songwriting and playing on a song like NIght Vision haa evolved tenfold from gay bar and danger high voltage, which you can't seem to get over. On my mix, I skip over the latter to hear the former. Bands can mature and evolve. Sometimes for the worse, but not in this case. You can't stay young and stupid forever. This album rocks, plain and simple. It's better than 99.9% of what they play on college radio. Dance Epidemic is another song that can make you bang your head and shake your booty. Listen again, please.… Expand
DanC.Feb 19, 2008A very solid album from the detroit rockers. Look out in particular for: Rubber Rocket Germans In Mexico Mr. Woman.
Aug 28, 2016Imagine you’re a major record label executive, and you catch wind of the possibility of signing a band that had three singles off its debut inImagine you’re a major record label executive, and you catch wind of the possibility of signing a band that had three singles off its debut in the charts. Said band had a large-scale exodus of members, but the singer, who also happens to be the brain behind the song-writing process, is still available. The conclusion is natural – get a hold of them and try to wrangle some more of those singles out of them. The problems set in when all parties involved realise that the hits came together organically, and the new process isn’t really working. A forced fluke of a record flops out onto store shelves, nothing blows up on the radio, and the band gets dropped. This is exactly what happened to Electric Six after Fire, as Warner stepped in and tried to get a new “Gay Bar”. Whilst this made the bulk of Señor Smoke range from uneasy (“Vibrator”) to downright unlistenable (“Future Boys”), there were moments where the newly assembled band seemed to reach for heights greater than implied by the record (“Future Is in the Future”). Once Electric Six went independent again, those specks of potential got to blossom into an unlikely half-decade golden age where the band could seemingly do no wrong, their innate catchiness flirting with all sorts of musical influences.
Switzerland is the beginning of said golden age. As such, the band is closest to its roots, and there’s no left-field instrumentation, extended outros from hell or Beefheartian insanity. Instead, we are offered a set of stupidly catchy songs largely rooted in rock with electronic leanings, but done the way the band wants. The guitars are a bit janglier than previously, some subtle stylistic jumps are present, and the man behind the disco ball gets to emerge in full glory and make the songs a bit more invested than dancing or pop culture references. “The Band in Hell” establishes both of those things early on, with a glinting tremolo verse being supplanted by a mournful, apologetic chorus. The songs on here are some of the closest to making sense the band has ever penned, but let’s not forget that Dick Valentine is the sort of lyricist who can cram the completely out of context line “And have you ever seen The Boys from Brazil?” into an otherwise relatively straight-faced song if he needs a rhyme. As such, the opener still has some semblance of tongue in cheek and the hell band is revealed to contain Hitler and the devil.
The rest of the record maintains this trend, offering an absurd blend of partying, roller skaters, shooting to kill, donkeys and policemen. By the time the dying gasp of the album rolls out a description of a chocolate pope, it doesn’t even elicit a slight eyebrow twitch. The immediate standout is “I Buy the Drugs”, in which a wonderfully incohesive tale of purchasing and selling drugs (and being supported by your woman, and driving, and also dogs) is carried on the back of a delightful chromatic verse and dead-on four-chord chorus. The darker edge hinted at by the opener is still present, with the culmination being the vague and understated “There’s Something Very Wrong With Us, So Let’s Go Out Tonight”. Most tracks sit somewhere in the middle, with the darkness often being relegated to thinly veiled social commentary (the rolling stomp of “Mr. Woman”), low-key reminiscing (“Ping Flamingos” in all its minimal country glory) or quick pangs woven directly into the absurd (the moon man and turkeys in “Pulling the Plug on the Party”). Crucially, all this is supplanted by the highest average track quality on an Electric Six album to date. The only song to dip into filler territory is “I Wish This Song Was Louder”, but a hilariously relaxed synth melody shows up midway through and saves the day. The backdrop varies, with some of the ground covered being hair metal (“Night Vision”), throbbing dotted electronic bass (“Infected Girls”) and a piano miniature (“Chocolate Pope”).
I actually wonder what the major record label executives would have thought had they heard Switzerland. In a way, it accomplishes what they wanted the band to do – there are a lot of organically catchy tracks, with “I Buy the Drugs” joining “Gay Bar” in the band’s concert staple echelon. It seems more likely that this stems from a lack of outside interference than Dick Valentine crumbling under prior pressure, so the band’s career might have gone considerably differently than it turned out if the label wasn’t so ham-fisted with its hit acquisition methods. One way or the other, what’s done is done, and the prior mishaps might have helped sculpt the dark edge present throughout, which in turns makes this a stronger and more engaging record. Like a beautiful phoenix rising out of the ashes of commercial failure, Electric Six were reborn as a ridiculously consistent independent band.… Expand
DanFJan 15, 2007Dissapointing. A slight step forward from Senor Smoke, but still nowhere near the brilliance of Fire. Every song seems to have its moments, Dissapointing. A slight step forward from Senor Smoke, but still nowhere near the brilliance of Fire. Every song seems to have its moments, but each one seems to also lack something... ...maybe it's something that the 4 fired members of the band were responsible for...… Expand
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