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Swoon, then, is a mixed listening experience, with the solemnity and over-seriousness of the general tone and the occasionally grating nature of that voice being more or less mitigated by some lovely melodies and first-rate guitar riffs.
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Swoon improves on the Pickups' 2006 debut, Carnavas, with less slavish writing and more articulated dynamics.
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The Pickups also pile on the sophomore-album enhancements here, deepening a sound that scarcely wanted for depth beforehand.
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We are left with not so much a Pickup as a throwback: agreeable, but never truly unmissable.
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Swoon is a bit of a dying whale of a record. In a good way; vast, dark, a little mysterious, sad, dignified and palpably in pain.
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Aubert’s dude-sings-like-a-lady tenor conjures false hope for a relationship he knows is doomed. SSPU salute misery as a kind of ideal, the opposite of love but just as beautiful.
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It lacks some of Carnavas’ instant pleasures, but Swoon finds Silversun Pickups on the right path.
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It's intimate, accessible, and--Pumpkins comparisons aside--fairly unique in today's scene. What more could one ask for?
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It would be thrilling to hear a Silversun Pickups record which finally shakes off all their influences and creates something entirely their own. Swoon isn't quite that record, but it takes them closer to that goal, and is a seductive, intricate thing of beauty in itself.
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If Swoon isn't quite this year's "Tusk," the Silversun Pickups are exploring fresh territory of their own and keeping it easy to follow.
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The fuzzed out riffage and ethereal interludes are in place, but Swoon lacks the diverse textures, clever lyrics, and emotional depth that the Pumpkins honed over a 10 year span. And this is as it should be.
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FilterHeavier, headier, and roaring with a kind of rock assault unimaginable from its first, the band lays it all on the table from the get-go. [Spring 2009, p. 91]
Awards & Rankings
User score distribution:
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Positive: 51 out of 55
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Mixed: 1 out of 55
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Negative: 3 out of 55
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Feb 13, 2014
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May 25, 2012
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Jun 11, 2011