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- Summary: The third full-length release for the Chicago-area garage rock band was produced by Jim Abbiss.
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- Record Label: Atlantic
- Genre(s): Pop/Rock, Alternative/Indie Rock
- More Details and Credits »
Top Track
| Buddy | |
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| Forgiven, not forgotten This could be my last day And in case I don't see ya I'm comin' back in May Movin' on, did my time Feelin' fine, feelin'... | See the rest of the song lyrics |
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Score distribution:
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Positive: 4 out of 7
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Mixed: 3 out of 7
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Negative: 0 out of 7
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Feb 15, 2017Rather than saturate Terrible Human Beings with these thrilling, if grotesque, excesses, the Orwells use them sparingly, which strengthens their impact and punches up the flavor of an otherwise measured album.
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Feb 15, 2017The mild growth and light sophistication they show in spots doesn't make the record any less of a rollicking good time. Just like they have since their early days, the Orwells bring the songs, the suds, and the knuckleheaded energy to the party.
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Feb 15, 2017Offering a kind of pessimistic energy that may not add much to a genre inundated with bad attitudes, they elevate their game a little here and produce a record stuffed with likable and applicable anthems.
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Feb 21, 2017The album doesn’t take The Orwells to another musical level but, produced by Jim Abbiss (who worked with them previously), it makes for fun listening.
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Feb 27, 2017Unkempt and heartfelt, Terrible Human Beings shows The Orwells have promise and is a fun joy ride while you're on it. You just may not feel compelled to repeat the ride very often.
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Feb 15, 2017Terrible Human Beings can still be cherry-picked for catchy singles bound for algorithmic playlists, but it’s impossible to overlook how much of the Orwells’ appeal is bundled into their persona as enfants terribles.
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Feb 15, 2017Here's hoping they ditch the alt clichés and find their own sound on the next record.
Score distribution:
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Positive: 2 out of 2
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Mixed: 0 out of 2
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Negative: 0 out of 2
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Feb 14, 2018
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Feb 18, 2017
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