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- Summary: The fifth full-length release for the synthpop trio features a guest appearance from Debbie Harry and was produced by John Congleton.
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- Record Label: 4AD
- Genre(s): Alternative/Indie Rock, Alternative Pop/Rock
- More Details and Credits »
Top Track
Ran | |
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Ingest, where it goes, nobody sees but me So perfect and so sweet But the rest, feels incomplete Like the rabbit's foot I keep In the locket, with no... | See the rest of the song lyrics |
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Score distribution:
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Positive: 24 out of 29
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Mixed: 5 out of 29
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Negative: 0 out of 29
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Apr 7, 2017The raw passion of Future Island’s past work still dominates, but with more complexity in the arrangements, and more push and pull in the ongoing dialogue between the voice and the instruments behind it.
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Apr 12, 2017The Far Field is carried by light catharsis, diffused and mild-tempered fun, virtuosic vocal delivery, and steel-clean production.
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Q MagazineMar 21, 2017To make warm, immediate pop music that sounds so out of the ordinary is a rare feat. [May 2017, p.106]
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May 17, 2017An album ram-packed full of top-notch melodic synth-pop--a triumph from start to finish.
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Apr 7, 2017Future Islands haven't plateaued; they've managed a follow-up record that can look their best work in the eye.
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Apr 7, 2017The Far Field isn't a failure or a misstep, since there are so many good songs and their basic sound is still so strong. It's a shame that the band and Congleton felt the need to pretty things up, to make them sound more sophisticated and domesticated. It means that despite Herring's bravura performance, the album feels like a watered-down and lesser version of Singles.
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Apr 5, 2017Apart from the new wave prom dance of 'Candles', The Far Field plays out like a treadmill--same tempos, same whining siren wails from the synths, same bass undulation.
Score distribution:
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Positive: 4 out of 5
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Mixed: 0 out of 5
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Negative: 1 out of 5
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Apr 11, 2017
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Feb 8, 2018
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May 16, 2017
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Jul 21, 2017
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Jul 29, 2017
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