The Libertines - The Libertines
The Libertines Image
Metascore

Generally favorable reviews - based on 28 Critics What's this?

User Score

Universal acclaim- based on 71 Ratings

  • Summary: While some eponymous albums suggest a lack of creativity, the heralded UK rock outfit's sophomore disc is titled 'The Libertines' because it is indeed about The Libertines--or, more specifically, about the ongoing conflict between the band's two songwriters, Carlos Barat and Pete Doherty (the latter of whom was subsequently kicked out of the band after three failed rehab attempts). The Clash's Mick Jones returns as producer. Expand
Score distribution:
  1. Positive: 24 out of 28
  2. Negative: 0 out of 28
  1. 100
    The Libertines is a record of such raw autobiographical honesty that it carries a weight few others in 2004 can match. [Album of the Month, Sep 2004, p.94]
  2. Some songs are sloppily stretched out and others simply half-finished, but the ample charms of Doherty and Barat are just enough to rescue any of these lows.
  3. This is a fragile, beautiful music, it all nearly falls apart and then flops back together.
  4. 60
    A thrilling, frustrating souvenir of a band whirling out of control. [Sep 2004, p.130]

See all 28 Critic Reviews

Score distribution:
  1. Positive: 39 out of 44
  2. Negative: 2 out of 44
  1. It is a shame that Pete and Carl never did continue to write beautiful songs together. Their chemistry is unmatched in this day and age. This album really shows their talents and please stop calling them the British Strokes. The are The Libertines people! Expand
  2. 8
    It was always going to be difficult to follow up to their brilliant debut. Writing and recording of it were disrupted continuously due to internal feuds and personal issues and you can tell - it doesn't have the same continuity or cohesion that flowed through Up the Bracket. At times this makes this record even more appealing. It starts off in a whirlwind with Can't Stand Me Now - arguably the bands finest song and has plenty of other great tracks on it - What Katie Did, Last Post on the Bugle, Music when the Lights Go Out, all fantastic. Unfortunately it does have a couple of tracks that shouldn't have made the album - most notably Road to Ruin. As it is this record showed a lot of progression from Up the Bracket, and although it didn't have the same punky ferocity, in many places it is a superior record. I reckon if Doherty has stayed coherent while making it then it could have been a classic. Expand
  3. It's a good album, but not as good as their debut. It just doesn't seem to have as much energy as their debut and isn't as exciting. I just get the feeling that this album could have been so much better. Expand
  4. ToddR
    2
    When oh when will they stop ripping off the Wedding Present?

See all 44 User Reviews

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