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Jul 26, 2023Throughout all nine songs, Glenn-Copeland's voice seems to exist on the eternal plane, powerful and vulnerable in equal measure, an elder sharing his knowledge in stirring sonic form. [Sep 2023, p.26]
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Aug 16, 2023The Ones Ahead is billed as his first collection of new music in nearly 20 years, but it feels no less vital or inventive than his most celebrated work.
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Jul 28, 2023It’s a remarkably assured statement of purpose.
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MojoJul 26, 2023Warbling soul, classical lieder, No Other's stage-musical rapture, the title track's echo of Copeland's 1986 New-Age-synth album Keyboard Fantasies - all united by his seemingly unshakeable belief in humanity. [Aug 2023, p.84]
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Jul 26, 2023The Ones Ahead carries a resolute message of hope for the world, backed up by Glenn-Copeland's evident wisdom.
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The WireJul 26, 2023The album’s stylistic breadth and the cinematic sweep of its production add up to a more polished version of the anthemic, collaborative sound cultivated on the tour, heard on his 2020 Live At Le Guess Who? 2018 album. [Aug 2023, p.51]
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Jul 28, 2023The Ones Ahead gets too saccharine at times, and it's not anywhere near as engaging as Glenn-Copeland's visionary folk-jazz records from the early '70s, or his soothing ambient classic Keyboard Fantasies. Nevertheless, it's impossible to find fault with his optimism, and the songs' messages clearly resonate.