User Score
8.2

Universal acclaim- based on 331 Ratings

User score distribution:
  1. Negative: 32 out of 331

Review this album

  1. Your Score
    0 out of 10
    Rate this:
    • 10
    • 9
    • 8
    • 7
    • 6
    • 5
    • 4
    • 3
    • 2
    • 1
    • 0
    • 0
  1. Submit
  2. Check Spelling
  1. Jun 29, 2012
    4
    Making one stuff over and over again may get you to mainstream but may not rise your music advances the least thing to be cared about was the concept of this album far more complex but still better than Nickelback
  2. Sep 30, 2010
    3
    Honestly, I wanted to like Muse. But again, most of the songs just not fit in, or feel like rock 'n' roll songs. I can't really see how Muse can be a 'rock band' with all those electro/techno noises coming from around while playing the guitar and drums. Rock is about the passion and groove and what I hear at Muse is just a fail attempt at rock. Also, the singer's voice isn't really the best one I ever heard. But again, most rock bands sound like this nowadays, which is really sad. You can rate this review as unhelpful, because you are either a Muse fan or someone who likes this kind of music, but you're turning your backs to what rock 'n' roll should sound like. AC/DC? The Rolling Stones? Van Halen? Cream? Jimy Hendrix? Do these ring any bell? Expand
  3. Sep 24, 2011
    0
    This is incredibly bad, even for Muse. In this album, there is nothing that sounds like the band, everything sounds as if the songs had been taken from another band's record, and in particular from Queen's.
  4. Feb 7, 2011
    2
    It is truly amazing how one band can go from furious, honest, passionate, aggressive, but often beautiful music to this sell-out, rip-off, sickening piece of pointlessness. This is one of the cheapest, laziest, most revolting albums I've ever heard, and from a band I worshipped as a teenager. It makes me sick. Not one original moment, and in particular the singles are totally hollow, lifeless, chart-seeking objects of utter shame (hopefully) for the band. 1.8 points awarded for 'MK Ultra' and some memorable moments, like the first minute of 'Resistance' (that is, before it shamelessly and ridiculously explodes into dancing on poor Freddie Mercury's grave, just like - oh I shudder to even say it - United States of Eurasia), and 0.2 points for sheer effort, particularly in 'Exogenesis' (but then again, it's always seemed to me that, because Bellamy starting writing the symphony long before the other songs, the rest of the album could just be filler, to make more money out of releasing his 'work of genius'). But, I was right, unfortunately, about 'BH&R' - that Bellamy was forgetting about the music and letting his immature obsession with very vague and half-hearted themes of opression, conspiracy take over, and blah, blah, blah, I'm boring myself even writing this. What a terrible album. I'm off to listen to the 'Dead Star / In Your World' EP I just bought and sing along with the words "MUSE DIED AFTER ABSOLUTION, MUSE DIED AFTER ABSOLUTION..." Expand
Metascore
72

Generally favorable reviews - based on 23 Critics

Critic score distribution:
  1. Positive: 15 out of 23
  2. Negative: 1 out of 23
  1. "Black Holes and Revelations" may be a more commercial record, but The Resistance is Muse's most realized effort to date.
  2. As it stands it’s an indulgent and, at times, gorgeous listen that merely helps restate your concrete opinions about Muse.
  3. While not their best, it’s decent enough to ensure there’ll be more-- even though the truly off-the-wall moments are either rare or misguided, meaning the record feels slightly anonymous.