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May 18, 2016If you can get past the haughty lyrics on "Fickle Sun (ii)," for instance, then its minimalist piano notes will surely impress. And yet, even that song's musicianship sounds downright conventional compared to preceding tracks "Fickle Sun (i)" and opening track "The Ship," a 21-minute composition that begins with solemn synth moans like a distant vessel's horn.
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May 2, 2016At 21 minutes long it could do with a trim, but the closing part, a cover of the Velvet Underground’s I’m Set Free, shows that Eno remains one of the great shape shifters.
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Apr 29, 2016The Ship sees Eno try his hand with the darker, cinematic side of minimal, and for the most part it works. The melancholic catalysts for the record (The First World War and the sinking of the Titanic) don't transcend quite as powerfully as they could have, though.
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Apr 29, 2016Musically the album sees Eno experimenting with three-dimensional recording techniques, creating a sound that’s frequently panoramic and dislocating.
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Apr 28, 2016Not every experiment comes off, but when they do, The Ship is as idiosyncratic and enrapturing as anything Brian Eno has made.
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MojoApr 21, 2016The sprawling opening (title) track commencing with familiarly tremulous, slow-motion synths inexorably rising and falling, oscillating between exquisite consonance and transient dissonance. [May 2016, p.94]
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May 2, 2016It’s a shame Eno had to make so much of The Ship’s artistic vision. Divorced from pretence and divorced from the rest of the album, his final moments here are enjoyable.
User score distribution:
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Positive: 16 out of 20
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Mixed: 3 out of 20
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Negative: 1 out of 20
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Oct 15, 2016
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May 5, 2016
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May 5, 2016