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But shorn of the spoken word indulgences and look-what-I've-just-found electronica it's a leaner, hungrier beast, a more focussed, more alluring, more dangerous, but still tender trap.
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MixerDavid has composed 10 songs that work together as a concept album. But for everyday listening? Well, that's a somewhat different story. [Jun 2002, p.87]
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Easy to dismiss, smirk at, or even hate on the fist listen, nine out of The Snare's ten tracks are grind-and-pause, semi-sultry pairings of exotic keyboard settings and mid-tech beats that exploit their refrains and come weirdly close to the patterns of 'risqué' after-dinner radio pop circa 1999-present.