The Soft Bulletin - The Flaming Lips
User Score

Universal acclaim- based on 87 Ratings

User score distribution:
  1. Positive: 84 out of 87
  2. Negative: 1 out of 87

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  1. Sep 3, 2011
    The perfect album, and by far the magnum opus of The Flaming Lips. The Soft Bulletin is a departure from The Flaming Lips' earlier work, which was mostly lo-fi noise rock. The Soft Bulletin's songs are generally slow and soft, and explore various themes, such as love and devotion (The Spiderbite Song, for instance, is as far as I can tell about one's platonic love for another). The lyrics are clever and meaningful, and not superficial at all. In fact, I would say the overarching theme of the album is love. All in all its a beautiful album, and a must-listen-to. Expand
  2. Sep 7, 2010
    Yoshimi Battles the Pink Robots may have been a bit more out there and mabe even more creative, but the Soft Bulletin is by no means a lesser album. A beautiful record that just keeps getting better.
  3. Dec 7, 2010
    Its absoloutley amazing, as much as i love clouds taste metallic and their other albums GO AND BUY IT, it will make you want explode because you cant contain how seriously amazng this album is.ONE of THE best albums of the 90's and 20 years. up there with pinkerton,check your head and loveless guys
  4. Jul 30, 2011
    HOLY CRAP! WHAT AN ALBUM! Words cannot describe how awesome this album really is. Never heard of The Flaming Lips, start here and you too will realize their musical capabilities. One of the best albums of all time.
  5. Mar 20, 2013
    At first, to me, this album was very monotonous and boring, and I had only liked Race For the Prize. Then I had watched the Pitchfork documentary on it, and it just worked for me afterwards. Maybe it was the effort they had put into it, or the creativity, something, something did it for me, now I am a fan of The Soft Bulletin. I might even go as far as saying it's one of my favorite albums. The best songs(s) is(are): Feeling Yourself Disintegrate, Race for the Prize, Spoonful Weighs a Ton. Expand
  6. May 26, 2011
    The Soft Bulletin is an example of an album where you just can't listen to one track off of it to truly appreciate. It's an album to be experienced in it's entirety; right from it's opening track (the majestic 'Race For The Prize") to it's closer ("Buggin'", the album's only love song). Sure, they all sound fantastic on their own, but it's just all the more amazing when everything's compressed together. If you can manage that (which, really, shouldn't be hard), you're in for a treat. Technically, it's an alternative rock album, but it feels like so much more. There's a lovable pop appeal that makes you love it the instant you hear it, along with an odd, experimental appeal as well that may turn it away from mainstream listeners, but ultimately, the two join together to create a truly wonderful style that will keep you astounded for days, maybe weeks, on end. More than anything, however, its how maximalist the music sounds that gives it such a jolt of grandiose energy. A seemingly infinite amount of instruments are in the mix-up, and thankfully, none of the tracks sounds the same. If the lyrics were as daring as the music, it would seem as if the band is taking itself too seriously and trying too hard, but the result is quite the opposite actually: Coyne keeps his lyrics simple and straightforward, which adds to the albums power. A masterpiece like this would've been almost to create perfectly, but the band somehow manage to create one of the decades most perfectly consistent records. Some of the highlights include the prog-styled epic "The Spark That Bled", the gorgeous "Waitin' For A Superman", and "Slow Motion", which includes the albums loveliest simile ("and I'm feeling like a float/In a Macy's Day Parade"). But they're all nothing compared to "Feeling Yourself Disintegrate", which manages to create a tune over Coyne making a studdering Bap, BapBapBab-like melody. By the time it goes away, you wont really notice, because you'd be too enthralled by the track to really notice even anything. In fact, it's pretty hard to notice anything the whole album; it's so damn hypnotic, you'll be shocked someone was crazy enough to make this album. But there was. And Bam, you've been mind-blown again. Damn, these guys are good at that. 10 out of 10. Expand
  7. Jul 17, 2011
    Apart from having an overarching technical nous,the things that have propelled this album to legendary status among the cognicenti are it's warmth and compassion.This sounds very big, the polish does not detract from the songs, it would be hard to find too many better albums that were released back in 1999 ,a monumentally slack year in music.
  8. Apr 10, 2013
    When an album can tell a story that tells itself, you know you have something. I only know that 14 years too late is well behind the metaphor, but at their best the Flaming Lips speak a language that can stand up to a little time at the hands of the second law. The album thematically embraces power unthinkable that leads to consequences ranging from benign to catastrophic, at least in the minds of the protagonists. We, at least from my perspective, following the development of a source of power, a source of war and weaponry, that once leaving the flaccid but hopeful hands of its creators has a major impact on the everyday person. Leaving humans with the impression that anything is possible, and that super humans are amongst us, we are let down at their impotence. Consequently, the world, as it is wont to do, falls apart, leaving nothing but the basest of urges, creatures and regrets. This is sci-neo-pop-psychedelia-fi. I like it. Expand
  9. Apr 21, 2013
    Calling music 'psychedelic' presents loaded images involving gentlemen from the 1960's in paisley giving all manner of waffle on vinyl before, after, and during the taking of enormous quantities of high quality hallucinogenics. The very heart of this record is nothing to do with drugs, pills, and potions. It's a deeply human album, the vocals surrounded by a wealth of sounds that tie everything together. The gentle waves of Sleeping on the Roof, the simple instrumentation accompanying the plaintive Waitin' for a Superman, the wonderfully absurd The Gash, and then there's Race for the Prize, the best opening drum statement of any song bar Like A Rolling Stone.

    Despite being a contrary swine, this album will never leave my Top 10 and may well be my favourite album ever. A masterpiece of both songwriting and sonic invention.

Universal acclaim - based on 21 Critics

Critic score distribution:
  1. Positive: 19 out of 21
  2. Negative: 0 out of 21
  1. 90
    The group's most gorgeously crafted album ever.
  2. Combines Beach Boys harmonies, Pink Floyd-influenced orchestral rock and the lonely-heart vocal style of such '70s icons as Big Star and Neil Young.
  3. A trip into the prettiest altered states the Lips have yet kissed.