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It's still heavy on the harmonies and hummable choruses, of course, and does meander into happy-clappy, round-the-campfire territory too often for those of us with a low saccharine threshold.
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Many songs here are too long and similar in tone to the band's ubiquitous debut. But given time, the moments of real magic peek through.
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Rather than producing themselves, they could benefit from a wise head adding a touch of reverb, a sting of echo.
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MojoThis would be a strong set if they culled three tracks, shortened a few others and rearranged the sequencing. As it is, this record suffers from a distinct mid-album crisis. [Dec 2006, p.103]
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Under The RadarUnfortunately, the record's winning first half is followed by an intensely dull side two. [#16, p.93]
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This sophomore set likewise has moments of indelible pop bliss, but too often veers off track with unnecessarily long songs and dull arrangements.
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Those the Brokes is a looser, livelier album than its predecessor, significantly less cloying and precious than the debut.
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There are too many tracks on here that seem unfinished in a way, content to noodle around for far too long without making too much of an impression.
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There are four or five genuinely decent songs on here - but ultimately, as a whole it just feels a little too worthy, a little too overwrought, and a little too formulaic to be worth the 64 minutes and 32 seconds of your life.
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BlenderThe arrangements and singer-guitarist Romeo Stodart's delivery both veer toward cloying. The band also seems to have forgotten the art of brevity, resulting in too many songs that drag on past the five minute mark. [August 2007, p.115]
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A frustrating set with glimpses of gorgeousness.
User score distribution:
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Positive: 9 out of 13
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Mixed: 2 out of 13
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Negative: 2 out of 13
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Nov 12, 2015
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JimMJun 13, 2007Trite and sadly lame. What was Romeo thinking when he thought the lyrics, "This is a song/and these are the words"X10 would help them sell records?
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DanfromthebushNov 19, 2006