- Critic score
- Publication
- By date
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Mojo[Their] irony is especially trying when it infects the music. [Jul 2006, p.110]
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At the end of it all, you realise there's really nothing here.
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Q MagazineThere's nothing new here. [May 2006, p.131]
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Uncut[They] now sound more immediate, but seem to have forsaken some of their delicacy for caffeinated fuzz-pop, minus hooks. [Jun 2006, p.120]
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UrbThough varying little from past Tyde albums, Three's Co. is a welcome tribute to summer. [Sep 2006, p.139]
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Like its predecessors, Three's Co. mixes the sun-soaked power pop proclivities of Teenage Fanclub with the sylvan jangle of Felt, though the Tyde too often seem afraid to really make waves.
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Three’s Co. offers enough “new stuff” to ward off complacency (and criticisms thereof) while further strengthening the sonic and lyrical groundwork the band has already laid.
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It’s a trad, tried, and tested sound that they truck around town, exemplified by guest appearances by Conor Deasy of The Thrills and, a little more inexplicably, Maroon 5’s bass player. It’s the middle ground bewteen these two groups which The Tyde occupy.
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It's end-of-summer music.
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Under The RadarWhile the guitars shimmer, and there’s a pretty little keyboard solo, the vibe he’s attempting to rouse ends up stale. [#15]
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[Its] strongest songs more than compensate for the few lapses in songwriting found elsewhere.
User score distribution:
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Positive: 1 out of 2
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Mixed: 1 out of 2
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Negative: 0 out of 2
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FdezAOct 5, 2006Ok. Nothig special but good songs and charm melodies.
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mikes.Sep 1, 2006