To Lose My Life - White Lies
Metascore
58 out of 100

Mixed or average reviews - based on 17 Critics

Critic score distribution:
  1. Positive: 4 out of 17
  2. Negative: 1 out of 17
  1. For all its glum pronouncements of murder, mortality and loss, it’s an ecstatic listen, ponderous party music.
  2. This could have all ended in Tears For Fears, but their winning seriousness is matched by a penchant for a grandiose but hummable melody. [Feb 2009, p.119]
  3. On the whole, To Lose My Life is a solid debut that will certainly divide opinion, but approach with an open mind and dividends will be reaped en masse.
  4. There's a slickness to the sound as well-not to mention a pop sensibility, which could combine to give the band a shot in the Anglophobic US market. [May 2009, p.122]
  5. To Lose My Life is satisfying and consisitent throughout, even if White Lies treads daringly close to one-trick-pony territory. [Spring 2009, p.75]
  6. It's not quite bad enough to be dubbed an honest failure, but it's flaws are too debilitating for me to recommend blowing a tenner on a copy.
  7. 60
    White Lies naivety is emphatically brokered by their songs ability to rouse and inspire. [Feb 2009, p.109]
  8. 60
    Still mourning the loss of The Bravery? Look no further. [Feb 2009, p.85]
  9. While that darkness gives the album its semblance of originality, it may prove incompatible with the group's mass-market ambitions.
  10. 50
    On their debut, this trio of fashionably dour West London lads crafts wildly overwrought goth-pop weepers with choruses that would make excellent Robert Smith High School yearbook inscriptions.
  11. White Lies' polished synth rock effuses more melodrama than any young group should be allotted.
  12. 50
    Their debut begins with a rousing arena-rock anthem called 'Death' and then delivers detached variations on the same subject for the next nine tracks with a professionalism that's simultaneously compelling and creepy.
  13. The feeling remains though that their broad emotional strokes will have to concede something to intimacy and solitude to ever really win hearts.
  14. If you liked the new Oasis and U2 records, never bought "Turn on the Bright Lights," and tend to ignore clumsy lyrics, you might enjoy raising your beer to this album just fine.
  15. The results are oddly compelling, if only for the ridiculous way in which their lyrics handle fear, death and despair.
  16. Songs like 'Death' and 'Nothing To Give' are strident due to big production and well-placed hooks. But commercially geared goth is so much more hideous than the real thing because it wants to be palatable and accepted.
  17. To Lose My Life is an album made to a predefined plan with skill and no heart.
User Score

Generally favorable reviews- based on 30 Ratings

User score distribution:
  1. Positive: 10 out of 12
  2. Negative: 1 out of 12
  1. 6
    It's typical Indie rock - I wouldn't says it's synthy or anything but I get a Depeche Mode vibe off it. There are a couple of good songs on it but its mostly filler. The tracks on the first half of the record are my recommendations off of this. Everything else is distinctly average. It could be that the voice just doesn't click with me, I don't know but it's one of the more disappointing records that I've bought over the last couple of years. Full Review »
  2. To Lose My Life is a very dark album. People complain about how dark it is but I find it to be refreshing. I haven't heard a band with such dark lyrics since Interpol's "Antics". "Death" is a great opener and each track after that holds up. All In All, This a pretty good album. Full Review »
  3. A good welcome to the music world for White Lies. Contains the right combination of anthems like "Death" and the title track "To Lose my Life", and feel good tunes like "Unfinished Business". Without a doubt there are some tracks which have a real stadium feel, and by that I mean that you could see these songs being blasted out in front of 60,000+ fans. However, there is some elements to this album which are forgettable, but overall, a good album indeed Full Review »