Metascore
69

Generally favorable reviews - based on 14 Critic Reviews

Critic score distribution:
  1. Positive: 8 out of 14
  2. Negative: 0 out of 14
  1. Filter
    92
    You want this album. [#21, p.98]
  2. Most of To The Races is arresting and alive, filled with little moments--a snaky violin, a warm harmonica, a lilting melody--that serve as reminders of how important the concept of "performance" can be.
  3. With folky guitar picking, lush harmonies and sophisticated melodies, this album is a must-have for all of Bachmann's fans.
  4. As with Icky Mettle and then with Crooked Fingers, Bachmann once again has provided a taut and startling proper debut; his writing feels completely reenergized.
  5. Finally Bachmann's songs sound familiar and not derivative.
  6. Alternative Press
    80
    The sound is closer to the Boss' Nebraska--as Will Oldham would have done it--haunting, reflective and drowning in sorrow. [Oct 2006, p.200]
  7. Fans of Bachmann's gruff Neil Diamond-meets-Steve Earle vocals and lonesome and literate subject matter will find everything they love about the Carolina native on display, while those who prefer his vocal affectations surrounded by the din of a full band should stick with his group efforts.
  8. In spite of its flaws, To the Races charms with its somber atmosphere.
User Score
8.3

Universal acclaim- based on 6 Ratings

User score distribution:
  1. Positive: 5 out of 6
  2. Negative: 0 out of 6
  1. JeremyF
    Sep 14, 2007
    5
    OK. While "Man O' War" is on my top 10 songs of 2006, this album as a whole is nothing spectacular. Some very good guitar playing OK. While "Man O' War" is on my top 10 songs of 2006, this album as a whole is nothing spectacular. Some very good guitar playing throughout, and soft, easy-listening vocals are enchanting, but the songs blur into a plodding-along feel, and it can't keep my pinned for longer than two or three songs. Despite the one breathtakingly magnificent number, this album fails to capture me the way intimate acoustic records should. Full Review »
  2. DanielL
    Oct 4, 2006
    10
    A kind of songwriting that just plain doesn't exist anymore. Half 1930's range balladeer, half somber meditation. The bare A kind of songwriting that just plain doesn't exist anymore. Half 1930's range balladeer, half somber meditation. The bare presentation is a reflection of the album's honesty, and the density of the cello, violin, and backing vocals are like an ocean, upon which you can float, feeling emotionally empowered just by listening. Truly wonderful and unique. Full Review »
  3. StevenG
    Sep 6, 2006
    9
    This really is a powerful album.