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Q MagazineMay 17, 2011Such is the electronic murk elsewhere, it feels better to dabble your toes in this record than plunge right in. [May 2011, p.120]
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The WireMay 3, 2011It's impressive on the first few listens, it grows irritating with repeat play. [Apr 2011, p.57]
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Apr 15, 2011On its own, Tomboy isn't moving forward but it isn't treading water, either. Lennox performs a tricky balancing act in that sense.
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Apr 14, 2011It's a gentle, woozy mood-scape in which nostalgia for the candyfloss summers of childhood shades imperceptibly into the sweet melancholy of encroaching autumn.
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Apr 14, 2011While Person Pitch rippled with punctuated sound, Tomboy is a cyclic plateau, a triumph of building algorithms that gradually add plushness and sonic density, but very little movement.
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Apr 12, 2011On Tomboy, he seems about half-awake, caught between the haziness of sleep and the defensiveness of waking life.
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Apr 11, 2011Tomboy once again sees Lennox creating a distinctive, hypnotic sound-world - but it sometimes feels too much like a world from which there is a strong desire to escape.
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MojoMay 17, 2011Rather than gaining urgency Tomboy instead feels rhythmically constrained and sonically muted. [May 2011, p.100]
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Apr 11, 2011Tomboy doesn't speak loud enough for us to hear it. It hums, rather; it mumbles. It actually can't speak.
Awards & Rankings
User score distribution:
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Positive: 56 out of 62
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Mixed: 6 out of 62
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Negative: 0 out of 62
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Apr 19, 2011
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May 11, 2011
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Apr 19, 2011