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The pieces here -- it's hard to call them songs or tracks -- are almost ambient, but there's too much noise and too many shifting sounds to keep you from spacing out for too long.
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Tommy is a kind of maximalist musical confetti, a mostly instrumental amalgamation of jazz, hip-hop, folk, and laid-back electronica. Disparate ideas flit in and out of these songs, often before the listener really has a chance to get acquainted with them.
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Q MagazineHis fifth album is typically protean. [May 2010, p.118]