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Jun 30, 2022Exploratory, visionary record. [Aug 2022, p.22]
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Jun 30, 2022This enchanting and deeply felt piece of work marks Gwenno out once again as a unique artist with much to say.
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Jul 12, 2022A colorful, evocative dream-pop record.
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Jul 6, 2022Although unfailingly accessible (“Anima” in particular is impossible to shake off once heard), this is a refreshingly strange combination of psych-rock dynamics, pop-savvy hooks, homespun electronica and ancient-sounding melodies.
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Jul 5, 2022It was clear that Gwenno had reached her stride early as a solo artist; now with Tresor, she's shifted away from that bright, shiny formula and come up with an album that goes one step further to cementing her in the experimental pop firmament.
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Jul 5, 2022An ambitious album (it comes with an 8mm film and several quirky videos) from a unique artist.
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MojoJun 30, 2022It's the garlanded ritual folk of Kan Me ("May Song"), however, that underlines this is a record of changing seasons and transitional states. Accept the offer of tea but prepare to lose days in the process. [Aug 2022, p.90]
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Jun 30, 2022This is a thrilling and beautiful return well worth the four-year wait.
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Jul 14, 2022Gwenno is in the business of pop artistry, not broccoli-boiling, so Tresor’s touch is light and breezy, even as its songs dive into analytical psychology, the patriarchy, the colonizer lurking up and to the right.
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Jun 30, 2022Except for two electronic led numbers that become more of a slog than a celebration, Gwenno has once again married the otherworldly with the primal with supreme effect. Another contemporary Cornish treat.
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