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May 16, 2012Despite the various moments of divergence on True, there is a musical uniformity that makes the album sound like a 45-minute multi-part song, a significant departure from Amoral, their disjointed but adventurous debut.
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May 15, 2012There's nothing here that so sheerly encompasses the tragi-gorgeous indie nexus as earlier tunes "Already Over" or "Spectator and Pupil," though "When To Let Go" comes close.
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Sep 11, 2012Maybe it's familiarity, maybe it's contempt, maybe it's something to do with both, but there's nothing on True which marks itself out distinctly enough for it to warrant more than a passing glance.