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- Summary: The second release for the Ezra Collective's keyboardist features guest appearances from Asheber, Nubya Garcia, Jehst, Georgia Anne Muldrow, and Obongjayar.
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- Record Label: Brownswood
- Genre(s): Electronic, Jazz, R&B, Neo-Soul, IDM, Contemporary Jazz, Crossover Jazz, Jazz-Funk
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Score distribution:
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Positive: 6 out of 6
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Mixed: 0 out of 6
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Negative: 0 out of 6
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Q MagazineSep 24, 2019If the instrumentals can occasionally feel a little lounge-comfy, Turn To Clear view is ample proof of why UK jazz's horizons keep expanding. [Nov 2019, p.108]
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Sep 24, 2019Turn To Clear View showcases both the cross-pollination and multiculturalism of London, while distinguishing Armon-Jones as an artist whose tastes are as varied as they are exceptional.
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MojoSep 24, 2019Armon-Jones's fiery soloing is intrinsic to the headnoddable whole. [Oct 2019, p.91]
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The WireOct 23, 2019It blends jazz, funk, dub and electronic sounds into a seamless, at times psychedelic whole. [Nov 2019, p.66]
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Sep 26, 2019Turn to Clear View, takes everything that made ‘Starting Today’ playful and fun while ramping up the captivating melodies, and guest spots, to create something that feels like an instant classic.
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Sep 24, 2019Turn to Clear View isn’t as ear-opening as other dates Armon-Jones had a big role in this year -- namely, Ezra Collective's You Can't Steal My Joy and Binker Golding's completely unhinged Abstractions of Reality Past and Incredible Feathers. That said, it's a fitting addendum to the sound explored on Starting Today and well worth repeated listening.
Score distribution:
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Positive: 1 out of 1
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Mixed: 0 out of 1
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Negative: 0 out of 1
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Jan 4, 2020
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