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Under The RadarAs the hushed, but bubbly bass and stuttering snare give way to cavernous, shouted outero, Love Is All flaunts its expert capacity for restraint and tension-building--as if we needed more proof of how Love Is All is utterly in control of its pop craft. [Winter 2010, p.64]
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Love Is All have turned down the sax, exchanging many of their former bursts of spunk for half an album that’s tighter and more heartbreakingly anthemic, and a remainder that drifts into directionless tedium.
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Two Thousand and Ten Injuries buzzes with joy.