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- Summary: The fourth full-length release for the Austin-based country singer-songwriter was produced by Paul Kolderie.
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- Record Label: N/A
- Genre(s): Country, Americana, New Traditionalist, Nashville Sound/Countrypolitan
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Score distribution:
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Positive: 5 out of 5
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Mixed: 0 out of 5
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May 5, 2020Whitney Rose's We Still Go to Rodeos stands out as among the best of these contemporary albums. Rose wrote the dozen stellar tracks (there's not a bad one in the bunch) that range from traditional country ballads to rocking rave-ups.
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Apr 24, 2020Everything about this set feels more confident, self-assured and assertive than even her impressive earlier releases. The combination of Rose’s alternately sweet and tangy vocals with her best collection of tunes yet makes this her finest overall album.
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Apr 24, 2020Rose may tend to nod at the past but she's not a revivalist, she blends these familiar sounds in slyly idiosyncratic, personal ways that give We Still Go to Rodeos a handsome, modern feel that's distinct from other retro-minded Americana records, her previous albums included.
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Apr 24, 2020It's a raucous collection of deeply-felt country — a journey through many lives. And while its electric, dust-blown sound doesn't push into any new directions, it's a fittingly rich setting for Rose's outsized personality and reedy, expressive voice.
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Apr 24, 2020Rose is pushing the envelope a bit on this outing. Sometimes it seems as if she’s trying to break through a sound that was bigger than she bargained for but there are still those precious moments where her voice and phrasing may have you reminiscing of classic singers like Bobbie Gentry and Dusty Springfield. That’s mixed with a swagger, self-confidence, and a willingness to rock out.
Score distribution:
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Positive: 1 out of 1
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Mixed: 0 out of 1
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Negative: 0 out of 1
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Apr 24, 2020
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