Welcome Joy

  • Record Label: Matador
  • Release Date: Aug 18, 2009

Generally favorable reviews - based on 15 Critics

Critic score distribution:
  1. Positive: 6 out of 15
  2. Negative: 0 out of 15
  1. Most of the album stays true to a light flavor, and Welcome Joy is a nice, comfortable listen, right up there with "Invitation Songs."
  2. Emphatic yet rarely overbearing choruses, all delivered in a subtle manner, will always bring me back to the road. The Cave Singers have mastered the art of give and take.
  3. The Cave Singers' mild, moseying tunes aren't without their minor charms, and they're unfailingly good at conjuring images of wide-open fields and dust-caked lanes, but nobody wants to walk down the same road all the time if they can help it.
  4. Uncut
    This time around they've learnt to loosen up slightly, enlisting the help of Amber Webber from Black Mountain and adding a pleasingly West Coast sensibility to what was previously a rather monochromatic Americana mix. [Sep 2009, p.81]
  5. Mojo
    They're more likely to be judged on face value, but that shouldn't do them any harm. [Sep 2009, p.95]
  6. It’s a shame that Quirk’s quirky vibrato is so prominent as it ruins an album that otherwise sits somewhere between untroublesome and mildly enjoyable
  7. This is a remarkable album in every sense.
  8. It's just there was the expectation of more, and this has left me a bit cold.
  9. 80
    Mumbly, scratchy-voiced Pete Quirk is more self-assured than on 2007’s Invitation Songs, championing optimism and determination in the face of trouble, powered by sharp folk and country-blues guitars, plus no-frills percussion.
  10. The sparse songs are free of drums, bass, riffs and obvious choruses, and are often pushed along by just two, sometimes three, chords.
  11. The Cave Singers, though hobbled by their overly-familiar nature, make sweet, sentimental music. Welcome Joy, despite its rockier bent, is no exception.
  12. Although the album is undoubtedly a more polished production than is "Invitation Songs," the percussion is obfuscated by a watery and murky mix.
  13. It closes with the sigh of "Bramble," another one of the band’s well-crafted whispers that seems more like a lo-fi sketch than a fully realized song. In isolated moments like this Welcome Joy shines as a companion piece equal to their first release, "Invitation Songs."
  14. That lack of propulsion makes Welcome Joy something of a sleepwalker.
  15. Welcome Joy is the perfect, earthy balance of the grittiest and the sweetest splendors that the Pacific has to offer.

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