Buy Now
- Critic score
- Publication
- By date
-
Mar 11, 2019There are “interludes” and “intermissions” aplenty; the blissed-out Beltway has shades of The Girl from Ipanema in its melody, and Binz is as catchy as a playground clapping game--but both are over before you know it. Exit Scott (referring to another street in Houston) uses a gospel sample that could--and would, in the past--have been stretched out to make a hit single, but here it is, just one minute and one second long.
-
Mar 1, 2019There are lots of intriguing ideas here, and it might be better thought of as one long fragmentary track than a collection of songs. But it’s an album that feels like it’s hovering rather than actually heading anywhere, diverting rather than impactful.
Awards & Rankings
User score distribution:
-
Positive: 243 out of 322
-
Mixed: 43 out of 322
-
Negative: 36 out of 322
-
Mar 2, 2019
-
Mar 3, 2019It feels uninspired and lazy, just like my review some might say. Have a good day.
-
Mar 2, 2019