- Critic score
- Publication
- By date
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MojoThe actual tunes may not be particularly strong, but crucially, at the centre of it all Natalie croons and sighs with all the clear-eyed moonfaced sweetness of Juliette Binoche baking cakes. [Dec 2001, p.116]
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Q MagazineImbruglia's thin voice can't keep pace with the excellent but demanding Everything Goes and Sunlight, while the half-dozen ballads aspire only to T'Pau's China In Your Hand. [#184, p.137]
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UncutThe album runs out of steam halfway through as the songs become over-reliant on the production and Nat veers off into Dido territory. [Dec 2001, p.106]
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Not everything about Imbruglias second album is as bad as most critics would like to make it.
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Imbruglia's delicate, sweet and well-behaved singing isn't the ideal vehicle for expressing angst, even if most of these minor-chord, gray-skies anthems seem to be yearning to do just that.
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BlenderSkips from one song to the next without leaving any great impression or displaying a single sentiment Jessica Simpson would find distressing. [#4, p.118]
Awards & Rankings
User score distribution:
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Positive: 20 out of 28
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Mixed: 1 out of 28
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Negative: 7 out of 28
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Jan 15, 2020Extremely underrated gem. Grows after each listening. No filler songs, each one was my favorite at the time.
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Nov 6, 2013
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MichaelL.Sep 24, 2007