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There’s still sunshine (check the gleefully voyeuristic 'Paper Planes'), but frequently it’s obscured by autumnal clouds.
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Houdini sounds like an attempt to escape from the predicament of the sophomore album, making more nuanced use of orchestration and sticking with a comfortingly sweet and naïve tone while also expanding its perspective.
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Who Killed Harry Houdini? is beset by lukewarm, heart-on-sleeve ballads that spoil the album and sub-form slices of pop that never take off.
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FilterThe 29-member jonkoping, Sweden, collective opts for a darker and altogether less interesting vernacular. [Fall 2008, p.92]
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Under The RadarI'm From Barcelona is going through its adolescent, introspective phase. [Fall 2008, p.76]