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It’s a melee of styles and disparate ideas – some inspired, some falling woefully short. If its sheer reach borders on folly, it’s still enjoyable as hell.
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It's the Brian Jonestown Massacre album that's the least informed by the usual parade of 1960s mod/psych influences, opting instead for flirtations with disco rhythms, drum loops, boom-box beats and house-diva wails. In a sense, Newcombe has simply replaced one form of repetition (droning/jangly guitar jams) for another (dance workouts).
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At over 71 minutes, the album is overlong, but at least it is cohesive.
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UncutTheir latest was recorded in Berlin and Iceland, with whichever musicians were around at the time, lending Newcombe's whacked-out psychedelia cum space/drone rock a stoned-jam feel that doesn't always work to the songs' advanatge. [Apr 2010, p.83]
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Q MagazineThier latest mixes elements of ambient, post-punk and psychedelia. Often a recipe for a mess, there are moments of coherence. [Mar 2010, p.97]
User score distribution:
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Positive: 7 out of 9
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Mixed: 1 out of 9
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Negative: 1 out of 9
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Feb 6, 2012
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Dec 17, 2013